Restoration Cathedral Music: 1660-1714
Series: Oxford Studies in British Church Music;
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Product details:
- Publisher Clarendon Press
- Date of Publication 14 December 1995
- ISBN 9780198161493
- Binding Hardback
- No. of pages504 pages
- Size 242x163x27 mm
- Weight 936 g
- Language English
- Illustrations music examples throughout 0
Categories
Short description:
Ian Spink, a leading authority on 17th-century English music, has carried out a remarkable new investigation of the musical sources of the Restoration period, and of the archives of every cathedral and choral foundation. For the first time, perhaps, the true character and shape of this period of musical history is revealed, taking in the work of the great men of the age, including Purcell, Locke, and Handel, and many lesser masters such as Humfrey, Blow, Clarke, Weldon, and Croft.
MoreLong description:
The Restoration of Charles II stimulated one of the greatest triumphs of Anglican cathedral music. A group of gifted men, led by Henry Purcell, succeeded in transforming the carefully preserved and revived traditions of the Golden Age of Tudor and earlier Stuart periods into a contemporary style that vigorously embraces the idioms of the French and Italian Baroque. But although perhaps a dozen masterpieces of the period remain in the cathedral repertory, few of us can have had any idea of the riches and variety of music awaiting rediscovery.
Ian Spink, a leading authority on seventeenth-century English music, has carried out a remarkable new investigation of the musical sources of the period and of the archives of every cathedral and choral foundation. The result is not only a largely unfamiliar picture of the musical life and circumstance of choral foundations, from the Chapel Royal to remote Carlisle, but also a fresh assessment of the music taking in not only the work of the great men of the age - Purcell, Locke, Handel - but also many lesser masters such as Humfrey, Blow, Clarke, Weldon, and Croft. For the first time, perhaps, the true character and shape of the Restoration period of musical history is revealed.
Explicit yet concise, the present book's title corresponds exactly to the scope of its contents ... Here, then, is a book of outstanding interest, which encompasses the entire repertory of church music in the United Kingdom immediately after the Stuart Restoration. The quantity of music which has been preserved will certainly surprise musicologists and music-lovers in France ... One has nothing but praise for the author's erudition ... and for the clarity of his account ... the book cannot be too highly commended for the quality and quantity of information which it presents, and for the extremely convenient way in which it presents it, thanks in part to the excellent index and to its numerous music examples, which are both clearly printed and accurate.
