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  • Remixing the Classroom in Practice: Stories from the Field

    Remixing the Classroom in Practice by Scarlato, Mya; Kivijärvi, Sanna;

    Stories from the Field

    Series: Counterpoints: Music and Education;

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      • Publisher's listprice GBP 26.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        12 894 Ft (12 280 Ft + 5% VAT)
      • Discount 10% (cc. 1 289 Ft off)
      • Discounted price 11 605 Ft (11 052 Ft + 5% VAT)

    12 894 Ft

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    Product details:

    • Publisher Indiana University Press
    • Date of Publication 16 December 2025

    • ISBN 9780253074645
    • Binding Paperback
    • No. of pages240 pages
    • Size 229x152 mm
    • Weight 666 g
    • Language English
    • 700

    Categories

    Long description:

    "

    ""Remixing the Classroom"" In Practice engages directly with Randall Allsup's groundbreaking Remixing the Classroom: Toward an Open Philosophy of Music Education by sharing what democratic, creative, and student-centered approaches to music education look like when applied in the field.
    Through narrative essays covering a spectrum of contexts, including piano studios, choir ensembles, pre-service teacher education, and digital music spaces, ""Remixing the Classroom"" in Practice explores how issues of music teacher quality are intertwined with ethical and moral considerations that are central to educational practice in any setting. The authors share a wide array of examples and stories of educators striving toward pluralistic understandings of open forms of music education practice and beginning to teach outside the frames offered by traditional institutions and approaches: moving away from the teacher-centered craft, breaking the master/apprenticeship cycle, and drawing from student-initiated approaches. These stories touch on matters ranging from identity construction to patriotism and decolonization, analyzing and reframing implications for elementary and secondary schools, higher education, and other educational contexts within a diverse and ever-changing society.
    An imaginative collection aimed at furthering Allsup's philosophy, ""Remixing the Classroom"" in Practice narrates the experiences and stories of music educators who continue to strive for openness within contemporary music education.

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    Table of Contents:

    "

    Foreword: A Short Prelude, by Randall Everett Allsup
    1. Invitation: Enacting Open Philosophies of Music Education, by Mya Scarlato and Sanna Kivijärvi
    2. Studiously Playful: Improvising in Piano Lessons - Pictures from a Learning Lab, by Panagiotis A. Kanellopoulos and Niki Barachanou
    3. Re-mixing and Re-presenting: The Busy Work of Race in Music Classrooms, by Yan Carlos Colón León
    4. ""An Official Letter of Reprimand"": Rethinking Instrumental Music Education Through Autoethnographic Inquiry, by Christopher T. F. Hanson
    5. A Director, a Conductor, and a Teacher Walk into a Band Room, by Robert C. Jordan
    6. Teaching for Openings in Adult Avocational Choral Spaces, by Robin J. Freeman
    7. How Might Open Music Education Curriculum Nurture Subjectivity in Japanese Preservice Teachers?, by Naomi Katsura
    8. The Messy Muddle of Enacting Open-Text Assessment in Music Teacher Education, by George Nicholson and Olivia Tucker
    9. Remixing the U.S. National Anthem(s): Toward 'Plastic' Concepts of American Identity, by Mya Scarlato
    Afterword: Navigating the Stories and their Key Contributions in the International Context of Music Education, by Sanna Kivijärvi and Mya Scarlato
    Index

    "

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