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  • Re-Imagining the Victim in Post-1970s Horror Media

    Re-Imagining the Victim in Post-1970s Horror Media by Hoedt, Madelon; Lukic, Marko;

    Series: Horror and Gothic Media Cultures; 4;

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      • Publisher's listprice GBP 111.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        53 030 Ft (50 505 Ft + 5% VAT)
      • Discount 20% (cc. 10 606 Ft off)
      • Discounted price 42 424 Ft (40 404 Ft + 5% VAT)

    53 030 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 9 January 2024

    • ISBN 9789463729963
    • Binding Hardback
    • No. of pages254 pages
    • Size 234x156 mm
    • Weight 630 g
    • Language English
    • 527

    Categories

    Short description:

    This volume seeks to make explicit the concept of the victim within horror media and to examine their position in more detail, demonstrating that the necessity of their appearance within the genre does not equate to a simplicity of definition.

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    Long description:

    Despite its necessary centrality within the genre, the concept of the victim has not received much direct attention within the field of horror studies. Arguably, their presence is so ubiquitous as to become invisible—the threat of horror implies the need for a victim, whose function never alters, often becoming a blank slate for audiences to project their desires and fears onto. This volume seeks to make explicit the concept of the victim within horror media and to examine their position in more detail, demonstrating that the necessity of their appearance within the genre does not equate to a simplicity of definition. The chapters within this volume cover a number of topics and approaches, examining sources from literature, film, TV, and games (both analogue and digital) to show the pervasiveness of horror's victims, as well as the variety of their guises.

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    Table of Contents:

    Introduction: Theorizing the Victim, Marko Lukic,Opening the Gate: Reconfiguring the Child Victim in Stranger Things, Lindsey Scott,Black Death: Black Victims in 1980s Teen Slashers, Todd K. Platts,Beyond Binaries: The Position of the Transgender Victim in Horror Narratives, Irena Jurkovic,Through the Looking-Glass: The Gothic Victim in Jordan Peele's Us, Ljubica Matek,Postmortem Victimhood: Necrovalue in Phantasm and Dead and Buried, Fernando Gabriel Pagnoni Berns,The Sad Killer, Perpetuating Spaces, Trauma and Violence Within the Slasher Genre, Marko Lukic, If this is the last thing you see... that means I died: A Taxonomy of Camera-Operating Victims in Found Footage Horror Films, Peter Turner,Victimhood and Rhetorical Dialectics within Clive Barker's Faustian Fiction, Gavin F. Hurley,Pain Index, Plain Suffering and Blood Measure: A Victimology of Driving Safety Films, 1955-1975, Michael Stock,Biolithic Horror: Stone Victim/Victimisers in Resident Evil Village, Merlyn Seller,The Potential Victim: Horror Roleplaying Games and the Cruelty of Things, Ian Downes, Bibliography, Filmography.

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