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  • Reggae En Español – Diasporic Cultural Production in Panama: Diasporic Cultural Production in Panama

    Reggae En Español – Diasporic Cultural Production in Panama by Watson, Sonja Stephenso;

    Diasporic Cultural Production in Panama

    Series: Reframing Media, Technology, and Culture in Latin/o America;

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      • Publisher's listprice GBP 88.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        39 732 Ft (37 840 Ft + 5% VAT)
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      • Discount is valid until: 5 August 2026

    39 732 Ft

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    Not yet published.

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher John Wiley & Sons
    • Date of Publication 4 August 2026

    • ISBN 9781683406570
    • Binding Hardback
    • No. of pages176 pages
    • Size 234x160x14 mm
    • Weight 388 g
    • Language English
    • Illustrations 1 Illustrations, black and white
    • 700

    Categories

    Long description:

    Tracing the origins and cultural impact of an Afro-Panamanian musical genre

    In Reggae en Español, Sonja Stephenson Watson chronicles the emergence and influence of a complex and rich musical genre that has become emblematic of Afro-Panamanian identity. Born in Panama in the late 1970s when artists of West Indian ancestry infused Jamaican reggae rhythms with Spanish lyrics and Panamanian folk music, reggae en Español is shown in this book to be a powerful narrative of migration, hybridity, and resistance that compels recognition of Blackness as central to Panamanian history and culture.

    This is the first book to document the origin story of this genre and its diasporic linkages. Watson explores how reggae en Español emerged from transnational circuits, drawing influences from Africa, the Caribbean, Central America, and the United States. She illustrates how artists such as El General, Renato, Nando Boom, El Maleante, Rude Girl, and Chicho Man have used music to address issues of race, place, and identity, while inserting Black voices into national narratives that have historically excluded them. This book offers a groundbreaking perspective on how music can shape identity and connect communities across borders.

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