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  • Real Likenesses: Representation in Paintings, Photographs, and Novels

    Real Likenesses by Morris, Michael;

    Representation in Paintings, Photographs, and Novels

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      • Publisher's listprice GBP 84.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        40 131 Ft (38 220 Ft + 5% VAT)
      • Discount 10% (cc. 4 013 Ft off)
      • Discounted price 36 118 Ft (34 398 Ft + 5% VAT)

    40 131 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher OUP Oxford
    • Date of Publication 14 May 2020

    • ISBN 9780198861751
    • Binding Hardback
    • No. of pages240 pages
    • Size 242x164x19 mm
    • Weight 483 g
    • Language English
    • 12

    Categories

    Short description:

    Real Likenesses presents a radical new approach to the philosophy of artistic representation. Through a close analysis of paintings, photographs, and novels it reconsiders the relationship between medium and content, and proposes a new understanding of the 'real likenesses' that we encounter in representational art.

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    Long description:

    Real Likenesses presents a radical new approach to artistic representation. At its heart is a serious reconsideration of the relationship between medium and content in representational art, which counters currently dominant theories that make attention to the former inevitably a distraction from attending to the latter. Through close analysis of paintings, photographs, and novels, Michael Morris proposes a new understanding of the real likenesses we encounter in representational art; what they are, how they are made present to us, and how they are created. The result is an intuitive way of thinking about how these art forms work.

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    Table of Contents:

    Introduction
    The Paradox of Painting
    Painted Things
    Photography and the Real World
    Transparency and Distraction in Photographs
    Paradox and Distraction in Novels
    Real Characters
    Postscript

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