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  • Quatremère de Quincy's On the Ideal in the Pictorial Arts

    Quatremère de Quincy's On the Ideal in the Pictorial Arts by Quincy, Antoine Chrysostome Quatremère de; Xhignesse, Michel-Antoine;

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      • Publisher's listprice GBP 77.00
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        36 786 Ft (35 035 Ft + 5% VAT)
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    36 786 Ft

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    Availability

    Estimated delivery time: Expected time of arrival: end of January 2026.
    Not in stock at Prospero.

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 2 December 2024
    • Number of Volumes Hardback

    • ISBN 9781666967647
    • Binding Hardback
    • No. of pages142 pages
    • Size 234x158x18 mm
    • Weight 340 g
    • Language English
    • Illustrations 1 b/w illustration
    • 608

    Categories

    Short description:

    In On the Ideal in the Pictorial Arts, Quatremï¿1⁄2re de Quincy offers one of the most detailed treatments of mimesis since Aristotle. He defends the practice of ideal imitation against the late eighteenth- and early nineteenth-century predilection for real imitation and highlights the imagination's contribution to ideal imitation.

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    Long description:

    Antoine-Chrysostome Quatremï¿1⁄2re de Quincy was widely regarded as the pre-eminent art theorist of his day and exerted tremendous influence over the development of the arts in nineteenth-century France, publishing over twenty books over his career. Translated into English for the first time by Michel-Antoine Xhignesse, this 1837 treatise on imitation in the arts represents one of his major theoretical works. Quatremï¿1⁄2re de Quincy argues, against the prevailing opinion of the day, that artistic imitation aims at communicating the essence of the thing represented (ideal imitation), rather than merely faithfully reproducing its life appearance (real imitation). In order to communicate the essence, he argues, the artist must prioritize the contributions of her imagination over the choice and appearance of her model. This represented a significant departure from other accounts of ideal imitation, such as Batteux's or Winckelmann's, which instead advocated combining the best features of several different models.

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    Table of Contents:

    Acknowledgments
    List of Captions
    Translator's Introduction: Quatremï¿1⁄2re de Quincy and the Mimetic Ideal
    References
    Preface to the Essay on the Ideal and its Practical Applications to the Works of Imitation Proper
    in the Pictorial Arts (1837)
    On the Ideal in the Pictorial Arts
    Index
    About the Translator

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