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  • Poetry and Song in Late Eighteenth Century Germany: A Study in the Musical Sturm Und Drang

    Poetry and Song in Late Eighteenth Century Germany by Stoljar, Margaret Mahony;

    A Study in the Musical Sturm Und Drang

    Series: Routledge Revivals;

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      • Publisher's listprice GBP 89.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        42 992 Ft (40 945 Ft + 5% VAT)
      • Discount 10% (cc. 4 299 Ft off)
      • Discounted price 38 693 Ft (36 851 Ft + 5% VAT)

    42 992 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    In this book (originally published in 1985) Margaret Stoljar concentrates her analysis on the interplay of poets and musicians, the use made by composers of the work of such distinguished poets as Klopstock, and the specific contribution that music was able to make to the reception of the poetry.

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    Long description:

    The German Lied in the period preceding Mozart is less well-known than that of the florescence under Schubert, Schumann and Wolf. But in Poetry and Song in Late Eighteenth Century Germany (originally published in 1985) Margaret Stoljar shows that the songs composed by C.P.E. Bach and his contemporaries have an interest and allure of their own. She concentrates her analysis on the interplay of poets and musicians, the use made by composers of the work of such distinguished poets as Klopstock, and the specific contribution that music was able to make to the reception of the poetry.


    As much a work of social history as of musicology, Poetry and Song in Late Eighteenth Century Germany casts a fascinating light on the leisure of the period and place, as well as on the development of taste and sensibility that prepared the way for Young Werther. The book is illustrated with examples of music. 



    Review of the first publication:


    ‘Here is a thoroughly recommendable book, which sets out with a specific aim and in achieving that aim makes a valuable contribution to our knowledge of late eighteenth century poetry and music.’


    — Peter Branscombe, Music and Letters

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    Table of Contents:

    Introduction: Performance as an Historical Category  1. The Use of Poetry and the Use of Song  2. Singing and Playing in 1770  3. First Settings of Klopstock: C.P.E. Bach and Gluck  4. Sturm and Drang in Musical Style: C.G. Neefe  5. The Flowering of the Gesellschaftslied: Johann Andre  6. J.A.P. Schulz and the Volkston  7. J.F. Reichardt and the Triumph of Sentiment  Bibliography  A. Principal Sources for the Sturm and Drang Song  B. Eighteenth-century Sources  C. Selected Secondary Sources

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