Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives
 
Product details:

ISBN13:9783030237431
ISBN10:3030237435
Binding:Hardback
No. of pages:298 pages
Size:210x148 mm
Weight:675 g
Language:English
Illustrations: 7 Illustrations, black & white; 17 Illustrations, color
139
Category:

Phraseology and Style in Subgenres of the Novel

A Synthesis of Corpus and Literary Perspectives
 
Edition number: 1st ed. 2020
Publisher: Palgrave Macmillan
Date of Publication:
Number of Volumes: 1 pieces, Book
 
Normal price:

Publisher's listprice:
EUR 149.79
Estimated price in HUF:
61 810 HUF (58 867 HUF + 5% VAT)
Why estimated?
 
Your price:

49 448 (47 094 HUF + 5% VAT )
discount is: 20% (approx 12 362 HUF off)
Discount is valid until: 30 June 2024
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
 
Availability:

Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Can't you provide more accurate information?
 
  Piece(s)

 
Short description:

This edited book represents the first cohesive attempt to describe the literary genres of late-twentieth-century fiction in terms of lexico-grammatical patterns. Drawing on the PhraseoRom international project on the phraseology of contemporary novels, the contributed chapters combine literary studies with corpus linguistics to analyse fantasy, romance, crime, historical and science fiction in French and English. The authors offer new insights into long-standing debates on genre distinction and the hybridization of genres by deploying a new, interdisciplinary methodology. Sitting at the intersection of literature and linguistics, with a firm grounding in the digital humanities, this book will be of particular relevance to literary scholars, corpus stylists, contrastivists and lexicologists, as well as general readers with an interest in twentieth-century genre fiction.

Iva Novakova is Professor of French and Contrastive Linguistics at theUniversité Grenoble Alpes, France.

Dirk Siepmann is Professor of English language teaching at the Institute of English and American Studies, Osnabrück University, Germany.

Long description:

This edited book represents the first cohesive attempt to describe the literary genres of late-twentieth-century fiction in terms of lexico-grammatical patterns. Drawing on the PhraseoRom international project on the phraseology of contemporary novels, the contributed chapters combine literary studies with corpus linguistics to analyse fantasy, romance, crime, historical and science fiction in French and English. The authors offer new insights into long-standing debates on genre distinction and the hybridization of genres by deploying a new, interdisciplinary methodology. Sitting at the intersection of literature and linguistics, with a firm grounding in the digital humanities, this book will be of particular relevance to literary scholars, corpus stylists, contrastivists and lexicologists, as well as general readers with an interest in twentieth-century genre fiction.

Table of Contents:
Chapter ?1. Introduction: Literary style, corpus stylistics, and lexico-grammatical narrative patterns (Iva Novakova and Dirk Siepmann).- Chapter 2. The Notion of Motif where Disciplines Intersect: Folkloristics, Narrativity, Bioinformatics, Automatic Text Processing, and Linguistics (Stefan Koch).- Chapter 3. Key Adverbs and Adverbial Motifs in English Fiction and their French Functional Equivalents (Iva Novakova, Dirk Siepmann and Marion Gymnich).- Chapter 4. Speech Verbs in French and English Novels (Sascha Diwersy, Laetitia Gonon, Vannina Goossens, Marion Gymnich and Agn?s Tutin).- Chapter 5.  Alcohol and Tobacco Consumption in English and French Novels since the 1950s: A Corpus-Stylistic Analysis (Francis Grossmann, Marion Gymnich and Dirk Siepmann).- Chapter 6. French and American Science Fiction during the Nineties: A Contrastive Study of Fiction Words and Phraseology (Laetitia Gonon and Olivier Kraif).- Chapter 7. Science Fiction versus Fantasy: A Semantic Categorization and its Contribution to Distinguishing Two Literary Genres (Vannina Goossens, Clémence Jacquot and Susanne Dyka).- Chapter 8. Reading and Writing as Motifs in English and French General Fiction (Julie Sorba, Laetitia Gonon, Susanne Dyka and Vannina Goossens).- Chapter 9. Dans un état de NP and in a state of NP: Bridging the Syntagmatic Gap in English and French Fiction (Susanne Dyka, Ludwig Fesenmeier and Marion Gymnich).- Chapter 10. Towards an Interdisciplinary Approach for Differentiating Contemporary Fiction Subgenres (Iva Novakova and Dirk Siepmann).