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  • Ontology of the Musical Work: Scored Music, Jazz, Pop, and Rock

    Ontology of the Musical Work by Cugny, Laurent; Mauduit, Bérengère;

    Scored Music, Jazz, Pop, and Rock

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 26.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        12 894 Ft (12 280 Ft + 5% VAT)
      • Discount 10% (cc. 1 289 Ft off)
      • Discounted price 11 605 Ft (11 052 Ft + 5% VAT)

    12 894 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher University Press of Mississippi
    • Date of Publication 18 February 2026

    • ISBN 9781496861047
    • Binding Paperback
    • No. of pages pages
    • Size 235x156 mm
    • Weight 526 g
    • Language English
    • Illustrations 10 figures
    • 697

    Categories

    Long description:

    "

    What defines a ""musical work""? Traditionally, this question has been dominated by Western art music and its reliance on prescriptive scores. Yet, with the rise of recording technologies and the growing influence of genres like jazz, pop, and rock, the very foundations of music’s ontology have shifted. In English for the first time, Ontology of the Musical Work: Scored Music, Jazz, Pop, and Rock explores these transformative changes, offering a groundbreaking framework for understanding how music is created, experienced, and valued in contemporary contexts.

    This book introduces a new theory of music production—one distinct from the conventional paradigms of writing and orality—that emphasizes the unique characteristics of recorded music. Using this perspective, it critiques the traditional focus on scored music and reimagines the concept of the ""musical work,"" bridging the divide between Anglophone analytic aesthetics and Continental philosophical traditions.

    Ultimately, Ontology of the Musical Work redefines the cultural and aesthetic significance of jazz and popular music, offering fresh insights into their roles within a rapidly evolving musical landscape. A vital contribution to musicology and philosophy, this book equips readers with new tools to understand and appreciate the diverse ways music resonates in our world today.

    "

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