Long description:

The third volume in the Nobel Prize–winning writer’s epic story of medieval Norway, finely capturing Undset’s fluid, natural style in the first English translation in nearly a century
 

In the early fourteenth century, Norway is a kingdom in political turmoil, struggling with opposing forces within its own borders and drawn into strife with neighboring Sweden and Denmark. Bloody family vendettas and conflicting loyalties sparked by the irrepressible passion of a boy and his foster sister (also his betrothed) have now set in motion a series of terrible consequences—with a legacy of betrayal, murder, and disgrace that will echo down through the generations. Crossroads, the third of Olav Audunssøn’s four volumes, finds Olav heartbroken by loss and further estranged from his son. To escape his grief, Olav leaves his home estate of Hestviken and agrees to serve as captain on a small merchant ship headed to London. There, separated from everything familiar to him, Olav begins a visionary journey that will send him far into the forest and deep into his soul. Questioning past decisions and future plans, Olav must grapple with his own perceptions of love and guilt, sin and penitence, vengeance and forgiveness. 

Set in a time and place where royalty and religion vie for power, and bloodlines and loyalties are law, Crossroads summons a powerful picture of Northern life in medieval times, as the Swedish Academy noted in awarding Sigrid Undset the Nobel Prize in 1928. Conveying both the intimate drama and epic sweep of Olav’s story as grief and guilt drive him to ever more desperate action, Crossroads is a moving and masterly re-creation of a vanished world tainted by bloodshed and haunted by sin and retribution. 

As with Kristin Lavransdatter, her earlier medieval epic, Undset immersed herself in the legal, religious, and historical documents of the time while writing Olav Audunssøn to create astoundingly authentic and compelling portraits of Norwegian life in the Middle Ages. And as in her translation of Kristin Lavransdatter, Tiina Nunnally does full justice to Undset’s natural, fluid prose, in a style that delicately and lyrically conveys the natural world, the complex culture, and the fraught emotional territory against which Olav’s story inexorably unfolds.

"Engrossing... Fans of well-researched historical epics ought to check this out."—Publishers Weekly

"[Undset] is also a master of evoking a vanished way of life and, above all, of nature’s vitality, of weather, of land- and seascapes, exhilarating images that freshen a story that is deeply tinctured with anguish and uncertainty. "—Star Tribune

"These books are so well written and so beautifully translated that the reader is pulled into the story and brought along on the journey. We don’t feel like observers, but participants."—Looking for a Good Book

"Undset describes the harsh life in the far north—its formidable sea, bone-chilling winters, and breathtaking landscape—in poetic evocative language, splendidly translated."—Historical Novels Review

"Rich in Catholic symbolism and with plenty of family drama and other mayhem, the book is as sturdy and swift-flowing as any work of Hamsun or Laxness.

"—Kirkus

"In this remarkable book, Undset gives a superb description of what life was like in medieval Norway, with well-defined characters from different levels of society."—Norwegian American