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6 787 Ft (6 464 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 5% (cc. 339 Ft off)
- Discounted price 6 448 Ft (6 141 Ft + 5% VAT)
6 787 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 1. Auflage
- Publisher Distanz Verlag
- Date of Publication 28 June 2023
- ISBN 9783954764594
- Binding Paperback
- No. of pages128 pages
- Size 9x141x210 mm
- Weight 214 g
- Language German
- Illustrations zahlreiche Farbabbildungen 516
Categories
Long description:
Fotografische Archive freilegen - Lighting the Archive mit Mike Sperlinger
In Risse freilegen treten Lighting the Archive, eine online verfügbare Gesprachsreihe über fotografische Arbeitsweisen, Ordnungsstrukturen und Materialitaten, mit dem Autor und Kurator Mike Sperlinger in einen Dialog. Sperlingers Essay betrachtet die Werdegange der Fotograf*innen Marianne Wex und Chauncey Hare unter dem Brennglas der Aufmerksamkeitsokonomie und deren Rückzüge aus dem System Kunst - bis hin zu ihrer Wiederentdeckung als "vergessene Künstler*innen". Wie dies gelingen konnte und welche tragende Rolle das Thema Archiv dabei gespielt hat, bespricht Lighting the Archive mit dem Autor.
Exposing Photographic Archives - Lighting the Archive with Mike Sperlinger
In Exposing Tears, Lighting the Archive, an open-ended series of conversations about photographic techniques, structures of order, and materialities, engage the writer and curator Mike Sperlinger in dialogue. Sperlinger's essay looks at the careers of the pho- tographers Marianne Wex and Chauncey Hare through the lens of the art market's economy of attention including their withdrawals from the art system and their eventual rediscovery as "forgotten artists." Lighting the Archive discusses with the author how this was achieved and what a key role the archive played in the proces.
More
Objekte in der Zeit: Lighting the Archive mit Mike Sperlinger. KONTEXT
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