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  • Novel to Film: An Introduction to the Theory of Adaptation

    Novel to Film by McFarlane, Brian;

    An Introduction to the Theory of Adaptation

      • GET 10% OFF

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      • Publisher's listprice GBP 61.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        29 615 Ft (28 205 Ft + 5% VAT)
      • Discount 10% (cc. 2 962 Ft off)
      • Discounted price 26 654 Ft (25 385 Ft + 5% VAT)

    29 615 Ft

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    printed on demand

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 27 June 1996

    • ISBN 9780198711506
    • Binding Paperback
    • No. of pages288 pages
    • Size 234x156x17 mm
    • Weight 461 g
    • Language English
    • Illustrations halftones
    • 380

    Categories

    Short description:

    Novel to Film is the first systematic theoretical account of the process by which the great (and not so great) works of literature are transformed into the good, bad (sometimes ugly) but always distinctive medium of cinema. Drawing upon recent relevant literary and film theory the book provides a careful analysis of the theory and practice of this metamorphosis. The Scarlet Letter, Random Harvest, Great Expectations, Daisy Miller, and Cape Fear provide case studies which represent a range of fiction and cinematic practice.

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    Long description:

    `It wasn't as good as the book' - this is the response to many a film adaptation, and even the starting point of many film reviews.
    Novel to Film is the first sytematic theoretical account of the process by which the great (and not so great) works of literature are transformed into the good, bad (sometimes ugly) but always distinctive medium of cinema. Drawing upon recent relevant literary and film theory, the book provides careful analysis of the theory and practice of metamorphosis. The Scarlet Letter, Random Harvest, Great Expectations, Daisy Miller and Cape Fear provide case studies which represent a range of fiction and cinematic practice.

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