Musical Symbolism in the Operas of Debussy and Bart
Trauma, Gender, and the Unfolding of the Unconscious
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Product details:
- Publisher OUP USA
- Date of Publication 23 December 2004
- ISBN 9780195103830
- Binding Hardback
- No. of pages360 pages
- Size 161x248x27 mm
- Weight 685 g
- Language English
- Illustrations 4 line illus. & 74 musical examples 0
Categories
Short description:
This book explores the means by which the operas of Debussy and Bart
MoreLong description:
This book explores the means by which the operas of Debussy and Bart
MoreTable of Contents:
Preface;Acknowledgments
Backgrounds and Development: The New Musical Language and its Correspondence with Psycho-Dramatic Principles of Symbolist Opera
The New Musical Language
Trauma, Gender and the Unfolding of the Unconscious in the Debussy and Bartok Operas
Pelleas et Melisande: Polarity of Characterisations: Human Beings as Real Life Individuals and Instruments of Fate
Pelleas et Melisande:Fate and the Unconscious: Transformational Function of the Dominant-ninth Chord
Pelleas et Melisande: Musico-Dramatic Turning Point: Intervallic Expansion as Symbol of Dramatic Tension and Change of Mood
Pelleas et Melisande: Melisande as Christ Symbol - Life, Death and Resurrection- and Motivic Representations of the Whole-Tone Dyad
Pelleas et Melisande: Circuity of Fate and Resolution of Melisande's Dissonant Pentatonic Whole-tone Conflict
Duke Bluebeard's Castle:Psychological Motivation; Symbolic Interaction of Diatonic, Whole-tone and Chromatic Extremes
Duke Bluebeard's Castle: Toward Character Reversal; Reassignment of Pentatonic and Whole-tone Spheres
Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of Characterisations; Diatonic-chromatic Extremes
Duke Bluebeard's Castle: Final Transformation, Ambiguous Tonal Cycle, Retreat into Eternal Darkness; Synthesis of Pentatonic/Diatonic and Whole-tone Spheres
Symbolism and Expression in Other Early Twentieth-century Operas
Epilogue
