Musical Intimacies and Indigenous Imaginaries
Aboriginal Music and Dance in Public Performance
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Product details:
- Publisher OUP USA
- Date of Publication 5 December 2013
- ISBN 9780199747641
- Binding Hardback
- No. of pages274 pages
- Size 160x239x20 mm
- Weight 564 g
- Language English
- Illustrations 31 figures 0
Categories
Short description:
This book explores several musical styles performed in the vital aboriginal musical scene that has emerged in the western Canadian province of Manitoba. Focusing on fiddling, country music, and Christian hymnody, as well as step dancing and the pow-wow, author Byron Dueck advances a groundbreaking new performative theory of music culture that acknowledges tradition without losing sight of the dynamic negotiations that bring it into being.
MoreLong description:
Musical Intimacies and Indigenous Imaginaries explores several styles performed in the vital aboriginal musical scene in the western Canadian province of Manitoba, focusing on fiddling, country music, Christian hymnody, and step dancing. In considering these genres and the contexts in which they are performed, author Byron Dueck outlines a compelling theory of musical publics, examines the complex, overlapping social orientations of contemporary musicians, and shows how music and dance play a central role in a distinctive indigenous public culture.
Dueck considers a wide range of contemporary aboriginal performances and venues--urban and rural, secular and sacred, large and small. Such gatherings create opportunities for the expression of distinctive modes of northern Algonquian sociability and for the creative extension of indigenous publicness. In examining these interstitial sites--at once places of intimate interaction and spaces oriented to imagined audiences--this volume considers how Manitoban aboriginal musicians engage with audiences both immediate and unknown; how they negotiate the possibilities mass mediation affords; and how, in doing so, they extend and elaborate indigenous sociability.
Musical Intimacies brings theories of public culture from anthropology and literary criticism into musicological and ethnomusicological discussions while introducing productive new ways of understanding North American indigenous engagement with mass mediation. It is a unique work that will appeal to students and scholars of popular music, musicology, music theory, anthropology, sociology, and cultural studies. It will be necessary reading for students of American ethnomusicology, First Nations and Native American studies, and Canadian music studies.
Table of Contents:
Acknowledgments
Chapter 1 Introduction: Publicity, Counterpublicity, Antipublicity
Chapter 2 Public and Intimate Sociability in First Nations and Métis Fiddling
Chapter 3 "
1 on NCI": Country Music and the Aboriginal Public
Chapter 4 "Your Own Heart Will Make its Own Music": Gospel Singing, Individuation, and the Comforting Community
Preface to Chapter 5
Chapter 5 "We Don't Want to Say No to Anybody Who Wants to Sing": Gospel Music in Coffee-House Performance
Chapter 6 Antipublicity: Family Tradition and the Aboriginal Public
Chapter 7 Circulation Controversies
Conclusion
Bibliography
