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  • Music Learning and Teaching in Infancy, Childhood, and Adolescence: An Oxford Handbook of Music Education, Volume 2

    Music Learning and Teaching in Infancy, Childhood, and Adolescence by McPherson, Gary; Welch, Graham;

    An Oxford Handbook of Music Education, Volume 2

    Series: Oxford Handbooks; 2;

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    Product details:

    • Publisher OUP USA
    • Date of Publication 7 June 2018

    • ISBN 9780190674595
    • Binding Paperback
    • No. of pages368 pages
    • Size 170x244x25 mm
    • Weight 612 g
    • Language English
    • Illustrations 30 line, 3 halftone, 11 combo
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    Short description:

    Music Learning and Teaching in Infancy, Childhood, and Adolescence explores a comprehensive array of key issues, concepts, and debates related to music learning and teaching in three phases of a child's development. It provides a broad framework for understanding the distinct needs and perspectives of infants, children, and adolescents as they relate to music.

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    Long description:

    Music Learning and Teaching in Infancy, Childhood, and Adolescence is one of five paperback books derived from the foundational two-volume Oxford Handbook of Music Education. Designed for music teachers, students, and scholars of music education, as well as educational administrators and policy makers, the second book in this set explores a broad array of key issues, concepts, and debates related to music learning and teaching in three phases of a child's development.

    The first section provides an expanded view of infancy and early childhood, embracing a key theme that most young children's early music-making is improvised and used to communicate with others and the self. These chapters demonstrate the importance of "motherese" or "parentese" to young children's overall development, the extraordinary diversity and richness of children's early musical engagement, and how this can be viewed as a resource for further learning.

    The second section is devoted to the learning and teaching of music during the middle years of childhood, when music is often a mandated part of the school curriculum. While recognizing the enormous cultural and national differences, chapters in this section give an overview of many varied and innovative forms of musical learning and teaching globally. The authors address issues related to the types of teachers who provide music instructions to children internationally, how they were educated and trained, and how various nations organize their curriculum in ways that provide children with access and opportunities to engage with music in the classroom.
    The third section focuses on the musical experiences and development of adolescents aged 12 to 18. These chapters explore the role of music in the lives of young people-including how they use and relate to music, how music educators can best meet students' needs, and the types of musical engagement that can either empower or disempower students through involvement in school music.


    Contributors
    Mayumi Adachi, Randall Everett Allsup, Janet R. Barrett, Margaret S. Barrett, Brydie-Leigh Bartleet, Lily Chen-Hafteck, Richard Colwell, Sharon G. Davis, George M. DeGraffenreid, Steven C. Dillon, Magne I. Espeland, Martin Fautley, Eve Harwood, Lee Higgins, Beatriz Ilari, Neryl Jeanneret, Chee-Hoo Lum, Stephen Malloch, Esther Mang, Kathryn Marsh, Gary E. McPherson, Oscar Odena, Chris Philpott, S. Alex Ruthmann, Eric Shieh, Gary Spruce, Johannella Tafuri, Sandra E. Trehub, Colwyn Trevarthen, Kari K. Veblen, Graham F. Welch, Heidi Westerlund, Jackie Wiggins, Ruth Wright, Susan Young

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    Table of Contents:

    PART 1
    Music learning and teaching in infancy and early childhood
    Part Editor: Margaret S. Barrett
    Chapter 1. Commentary: Music learning and teaching in infancy and
    early childhood
    Margaret S. Barrett
    Chapter 2. Musical lives of infants
    Mayumi Adachi and Sandra E. Trehub
    Chapter 3. Musicality and musical culture: Sharing narratives of sound
    from early childhood
    Colwyn Trevarthen and Stephen Malloch
    Chapter 4. Music and language in early childhood development and learning
    Lily Chen-Hafteck and Esther Mang
    Chapter 5. Musical participation from birth to three: Toward a global perspective
    Susan Young and Beatriz Ilari
    Chapter 6. Creative meaning-making in infants' and young children's musical cultures
    Margaret S. Barrett and Johannella Tafuri
    Part 2
    Music learning and teaching during childhood:
    Ages 5-12
    Part Editor: Kathryn Marsh
    Chapter 7. Commentary: Music learning and teaching during childhood: Ages 5-12
    Kathryn Marsh
    Chapter 8. Children's ways of learning inside and outside the classroom?
    Eve Harwood and Kathryn Marsh
    Chapter 9. Creating in music learning contexts
    Jackie Wiggins and Magne I. Espeland
    Chapter 10. Meaningful connections in a comprehensive approach to the music curriculum
    Janet R. Barrett and Kari K. Veblen
    Chapter 11. Multiple worlds of childhood: Culture and the classroom
    Chee-Hoo Lum and Kathryn Marsh
    Chapter 12. Music education in the generalist classroom
    Neryl Jeanneret and George M. DeGraffenreid
    Chapter 13. Instrumental ensemble learning and performance in
    primary and elementary schools
    Sharon G. Davis
    Part 3
    Music learning and teaching during adolescence:
    Ages 12-18
    Part Editor: Oscar Odena and Gary Spruce
    Chapter 14. Commentary: Music learning and teaching during adolescence: Ages 12-18
    Oscar Odena and Gary Spruce
    Chapter 15. Teaching, learning, and curriculum content
    Chris Philpott and Ruth Wright
    Chapter 16. Youth culture and secondary education
    Randall Everett Allsup, Heidi Westerlund, and Eric Shieh
    Chapter 17. Assessment in the secondary music classroom
    Martin Fautley and Richard Colwell
    Chapter 18. The community music facilitator and school music education
    Lee Higgins and Brydie-Leigh Bartleet
    Chapter 19. Creativity in the secondary music classroom
    Oscar Odena
    Chapter 20. Technology in the lives and schools of adolescents
    S. Alex Ruthmann and Steven C. Dillon

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