Music and Embodied Cognition – Listening, Moving, Feeling, and Thinking
Listening, Moving, Feeling, and Thinking
Series: Musical Meaning and Interpretation;
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19 110 Ft
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Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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Product details:
- Publisher MH – Indiana University Press
- Date of Publication 6 September 2016
- Number of Volumes Print PDF
- ISBN 9780253021601
- Binding Hardback
- No. of pages296 pages
- Size 234x156x19 mm
- Weight 528 g
- Language English
- Illustrations 14 b&w illus., 10 music exx., 7 tables - 7 Tables, black and white - 14 Illustrations, black and white - 10 Printed music items Tables, black & white 0
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Long description:
"
Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the ""mimetic hypothesis,"" the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
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