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  • Melancholic Modalities: Affect, Islam, and Turkish Classical Musicians

    Melancholic Modalities by Gill, Denise;

    Affect, Islam, and Turkish Classical Musicians

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      • Publisher's listprice GBP 122.50
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    Product details:

    • Publisher OUP USA
    • Date of Publication 15 June 2017

    • ISBN 9780190495008
    • Binding Hardback
    • No. of pages286 pages
    • Size 157x239x20 mm
    • Weight 550 g
    • Language English
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    Short description:

    Denise Gill analyzes how the melancholies intentionally cultivated by Turkish classical musicians, typically dismissed as the remnants of Ottoman nostalgia, emerge as reparative, pleasurable, and spiritually redeeming. Melancholic Modalities intervenes in debates about music and affect, and offers new, innovative methodologies of rhizomatic analysis and bi-aurality for researchers.

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    Long description:

    Today, teachers and performers of Turkish classical music intentionally cultivate melancholies, despite these affects being typically dismissed as remnants of the Ottoman Empire. Melancholic Modalities is the first in-depth historical and ethnographic study of the practices socialized by musicians who enthusiastically teach and perform a present-day genre substantially rooted in the musics of the Ottoman court and elite Mevlevi Sufi lodges. Author Denise Gill analyzes how melancholic music-making emerges as pleasurable, spiritually redeeming, and healing for both the listener and performer.

    Focusing on the diverse practices of musicians who deploy and circulate melancholy in sound, Gill interrogates the constitutive elements of these musicians' modalities in the context of emergent neoliberalism, secularism, political Islamism, Sufi devotionals, and the politics of psychological health in Turkey today. In an essential contribution to the study of ethnomusicology and psychology, Gill develops rhizomatic analyses to allow for musicians' multiple interpretations to be heard. Melancholic Modalities uncovers how emotion and musical meaning are connected, and how melancholy is articulated in the world of Turkish classical musicians. With her innovative concept of "bi-aurality," Gill's book forges new possibilities for the historical and ethnographic analyses of musics and ideologies of listening for music scholars.

    In this groundbreaking and multifaceted book,... one of the central contributions of Melancholic Modalities is the multiple ways it can serve as a model for analyzing complex and diverse modalities of listening.

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    Table of Contents:

    Table of Contents
    List of Figures
    List of Examples
    Acknowledgements
    Conventions
    Preface
    Introduction
    Melancholic Modalities
    Rhizome One: "Turkish Classical Music"
    Rhizome Two: Repertoires of Melancholies
    Rhizome Three: The Practice of Affect
    Rhizome Four: The Islamic Roots of Musicians' Melancholic Routes
    Following the Rhizomes of Melancholic Modalities
    Chapter One - The Melancholic State of Turkish Classical Music
    Reforms as Roots
    Cultural Policies and the Politics of Naming
    Ottoman Music and the Turkish Nation-State
    "Shaping Ears and Hearts": Emergent Media Practices
    Institutional Changes for Practices of Musical Transmission
    Neoliberalism, Islamic Movements, and the Privileges of Privatization
    Death of a Genre
    Chapter Two - Separation, the Sound of the Rhizomatic Ney, and Sacred Embodiment
    Sufism as Separation
    Hu as Sound
    Hu as Instrument Technique
    Hu as Sacred Embodiment
    Hu as Istanbul
    From Life to Death and Sound to Silence
    Chapter Three - Melancholic Genealogies: Rhizomatic Listening and Bi-Aurality in Practice
    Learning Melancholy, Learning Love
    Understanding Mesk
    Learning from a Master
    Learning with Notation
    Becoming Your Lineage
    Bi-Aurality and the Problem of Assumed Listening Geographies
    Genealogy, Orientalism, and Orientations
    Listening Like a Ney
    Case Studies: Listening Rhizomatically to Me?k Lineages
    Learning Music as the Practice of Melancholy
    Chapter Four -- Boundaries of Embodiment in Sounded Melancholy
    Rendering Melancholy Musical
    Embodying Gender, Melancholy, and the Boundaries Between
    The Body's Boundary: Melancholic Musicking and Tears
    Sema and Sama'
    Conclusion: Living with the Boundary
    Chapter Five -- Melancholic Musicking, Healing, and Reparation
    Melancholy as Illness
    Musical Modes as Music Therapy
    Melancholy and Health between "East" and "West"
    Iconic Melancholic Musicians: Neyzen Tevfik
    Melancholic Musicking: "There is No Medicine"
    Musicking as Food for the (Melancholic) Soul
    Suffering as Remedy: What to Take Away from Melancholic Musicking
    Conclusion -- Affect in Ethnomusicology and Beyond
    Bringing the Rhizomes of Turkish Classical Musicians to Bear beyond the Academy
    Bibliography
    Discography

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