Medieval Love-Fashioning
Configurations of Fin’Amor in European Literature, 1100–1485
Series: Routledge Studies in Medieval Literature and Culture;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 4 March 2026
- ISBN 9781041110033
- Binding Hardback
- No. of pages306 pages
- Size 229x152 mm
- Language English 700
Categories
Short description:
Medieval Love-Fashioning examines the topic of fin’amor, “gentle love”, in poetry, verse romances, and prose from the European High and Late Middle Ages.
MoreLong description:
Medieval Love-Fashioning examines the topic of fin’amor, “gentle love”, in poetry, verse romances, and prose from the European High and Late Middle Ages.
It shows how fin’amor was established in twelfth-century troubadour poetry, then modified, parodied, and critiqued through four centuries of imaginative literature. This approach aims to do justice to the diversity of literary representations and interpretations of love in the Middle Ages, while at the same time maintaining a strict focus on fin’amor (rather than the tried-and-tested but historically cumbersome concept of “courtly love”). In this book, fin’amor is treated as a malleable trope (rather than a fixed concept), a metaphorical cluster incorporating classical (Ovidian) commonplaces, feudal phraseology, and liturgical formulae. A brief background survey is followed by presentations of poets such as the troubadour Bernart de Ventadorn, covering the twelfth century in some detail. The account continues, more synoptically, with enquiries into mostly canonical works from the later Middle Ages, such as Dante’s Comedy (early fourteenth century) and Geoffrey Chaucer’s Troilus and Criseyde (mid-1380s). The rationale for this arrangement is to allow the isolation of a well-defined and carefully delimited topic through four centuries of medieval literature, demonstrating its mobility across borders, languages, and genres.
MoreTable of Contents:
Preface Introduction: Loving God and One’s Neighbour PART I 1. 12th Century: The Great Age of Love 2. Monasterial Pastimes: Baudri and Constance 3. The First Troubadour: The Count of Poitou 4. The Exegete as a Lover: Bernard of Clairvaux 5. No Regrets: Héloïse 6. Vertigo: Bernart de Ventadorn 7. Desire Restrained: Chrétien 8. Both Yes and No: Andrew the Chaplain 9. Passion and Parody: Marie de France 10. Without Further Ado: “The Song of the Rake” 11. The Cleric on the Warpath: Alan of Lille 12. The Condemned: Tristan and Isolde PART II 13. 13th Century: Bliss/Sin 14. ”Where Love Meets Love”: Wolfram 15. Deconstruction: Cavalcanti 16. From Florence to Paradise: Dante 17. Plucking the Rose: From Guillaume to Jean PART III 18. 14th and 15th Centuries: Godforsaken Passions 19. “Into a Luminous Abyss”: Petrarch 20. The Angel’s Lost Wings: Boccaccio 21. The Mad Love of the World: Archpriest Juan Ruiz 22. Love and Love Not... Chaucer 23. Up for Debate: Christine de Pizan 24. Love’s Wasteland: Malory Conclusion Appendix: Quotations in Their Original Languages Bibliography Index of Names
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