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  • Literature as Sound Studies

    Literature as Sound Studies by elhariry, yasser; Yamaguchi, Liesl;

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        45 549 Ft (43 380 Ft + 5% VAT)
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    45 549 Ft

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    Product details:

    • Publisher Bloomsbury Academic
    • Date of Publication 10 July 2025
    • Number of Volumes Hardback

    • ISBN 9798765121375
    • Binding Hardback
    • No. of pages pages
    • Size 228x152 mm
    • Language English
    • 700

    Categories

    Short description:

    Identifies literature as a site of sonic invention and reconfiguration, contributing a range of terms, models, and methods for attending to sound.

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    Long description:

    Literature as Sound Studies identifies literature as a site of sonic invention and reconfiguration, contributing a range of terms, models, and methods for attending to sound.

    Considering literary works drawn from a range of traditions-from twentieth-century Moroccan poems to early-modern English plays-Literature as Sound Studies brings out the sophisticated ways that literary writers and commentators have used and studied sound. Moving beyond the use of literature as mere ear witness to history, this collection brings out the complexity of sonic figuration in literature and literary studies, suggesting how this attentiveness to sound might anticipate, illuminate, and enrich the contemporary field of sound studies.

    The very category of the literary, considered as a subset of language writ large, has often hinged on the particular attention that literary works draw to their own sound, whether that sound be psychologically rehearsed, as in silent reading, or acoustically realized, as in a theatrical performance. Weaving together methods and concepts drawn from both literary and sound studies, these essays make legible literature's complex role in shaping and writing a history of sound.

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    Table of Contents:

    List of Figures
    List of Contributors
    1. Litearture as Sound Studies: An Introduction
    yasser elhariry and Liesl Yamaguchi

    Sounds of Difference
    2. Beyond Earwitnesses: Thomas Dekker's Soundwriting
    Scott Trudell

    3. The Rhythm of Gender in To the Lighthouse
    Eliza Zingesser

    4. Listening to Neo/Colonial Extraction in the "Seismic Poetics" of Mohammed Kha?r-Eddine
    David Fieni

    Sounds of Verse
    5. Fugitive Color: From Troy to the Black Atlantic
    Shane Butler

    6. Victorian Poetry, Heard and Unheard
    Naomi Levine

    7. Poetry as Sound Studies, or the Methodological Challenges of Shifting from Legible to Audible Archives
    Abigail Lang

    Sounds of Science
    8. Figures of Sound: Metaphors of Acoustics in Early Modern France
    Scott Sanders

    9. The Romantic Poet as Aural Philologist: Translating the Erotic-Acoustics of the Multilingual Origins of Language
    Tanvi Solanki

    Resonance
    10. Kafka's Musicology: Silence and a Drone
    David Copenhafer

    11. Boris Vian's Resonant Sound Map of the Embodied Mind
    Alexandra Lukes

    Index

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