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  • Landscape and Earth in Early Modernity: Picturing Unruly Nature

    Landscape and Earth in Early Modernity by Göttler, Christine; Mochizuki, Mia;

    Picturing Unruly Nature

    Series: Visual and Material Culture, 1300-1700;

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      • Publisher's listprice GBP 45.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 764 Ft (19 775 Ft + 5% VAT)
      • Discount 10% (cc. 2 076 Ft off)
      • Discounted price 18 687 Ft (17 798 Ft + 5% VAT)

    18 687 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 1 December 2025

    • ISBN 9781041181927
    • Binding Paperback
    • No. of pages426 pages
    • Size 246x174 mm
    • Weight 790 g
    • Language English
    • 667

    Categories

    Short description:

    Early modern views of nature and the earth upended the depiction of land. This volume historicizes the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external.

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    Long description:

    Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicizes the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. The lens of the “unruly” reveals the latent landscapes that undergirded their conception, the elemental resources that resurfaced from the bowels of the earth, the staged topographies that unsettled the boundaries between nature and technology, and the fragile ecologies that undermined the status quo of human environs. Landscape and Earth in Early Modernity: Picturing Unruly Nature argues for an art history attentive to the vicissitudes of circumstance and attributes the regrounding of representation during a transitional age to the unquiet landscape.

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    Table of Contents:

    List of Illustrations, Acknowledgments, Landscape, Mutability, and the Unruly Earth: An Introduction (Christine Göttler), Part 1 Latent Landscapes, 1. Waterland and the Disquiet of the Dutch Landscape (Mia M. Mochizuki), 2. Landscape and Autography (Victoria Sancho Lobis), 3. Painted Landscape before Landscape Painting in Early Modern England (Karin Leonhard), Part 2 Elemental Resources, 4. Unruly Indigo? Plants, Plantations, and Partitions (Romita Ray), 5. A Natural History in Stone: Medusa's Unruly Gaze on bardiglio grigio (Steffen Zierholz), 6. The Cosmologies of the Early Modern Mining Landscape (Tina Asmussen), Part 3 Staged Topographies, 7. Aurea Aetas Antverpiensis: Land(scapes) in the Blijde Inkomst for Ernest of Austria into Antwerp, 1594 (Ivo Raband), 8. An Overlooked Landscape Installation: The Winter Room at Copenhagen's Rosenborg Castle (Michèle Seehafer), 9. Insidious Images: Veiled Sight and Insight in Pieter Bruegel's Landscapes (Michel Weemans), Part 4 Fragile Ecologies 10. In einem Augenblick: Leveling Landscapes in Seventeenth-Century Disaster Flap Prints (Suzanne Karr Schmidt), 11. Performative Landscapes: A Paradigm for Mediating the Ecological Imperative? (Peter J. Schneemann).

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