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  • Jingju - Beijing/Peking Opera: History, Practice, and Aesthetics

    Jingju - Beijing/Peking Opera by Fan, Xing;

    History, Practice, and Aesthetics

    Series: Forms of Drama;

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      • Publisher's listprice GBP 65.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        31 053 Ft (29 575 Ft + 5% VAT)
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      • Discounted price 24 843 Ft (23 660 Ft + 5% VAT)
      • Discount is valid until: 31 December 2025

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    Product details:

    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 22 January 2026
    • Number of Volumes Hardback

    • ISBN 9781350174689
    • Binding Hardback
    • No. of pages232 pages
    • Size 198x129 mm
    • Language English
    • Illustrations 2 bw illus
    • 700

    Categories

    Short description:

    An introduction to the cultural history of jingju, from its origin to the present, with case studies demonstrating its practice and aesthetics.

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    Long description:

    This is an accessible introduction to jingju (Beijing/Peking opera) which presents readers with an analysis of the different components of its aesthetic form in the context of its ongoing cultural history.

    It traces the history of jingju from its origin during the 1790s to its present-day status as one of the few theatrical forms to enjoy nation-wide popularity in China. In 2010, UNESCO placed it on the Representative List of the Intangible Heritage of Humanity.

    This book traces jingju's history through three lenses. Firstly, it introduces the stage practices that shape a jingju production-including the use of music, acting style, visual components and staging, and dramatic narrative-and details for the reader the practitioner's experience during the developmental creative process, in rehearsals and behind the curtain. Secondly, it illustrates jingju's development with close analyses of case studies, and sheds light on the process of jingju's transformation into its contemporary form. Lastly, it defines and interprets jingju's notion of the beautiful and how this sense of beauty is communicated through stylization.

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    Table of Contents:

    "

    List of Illustrations
    List of Tables
    Series Preface

    Introduction
    Chapter 1. Performance Practice: Music, Acting, Visual Components, Play Text, and Mounting Productions
    Chapter 2. Performance History: ""Huangqiang,"" ""Pihuang,"" ""Luantan,"" ""Guoju,"" and ""Jingju""
    Chapter 3: Performance as Legacy

    Bibliography
    Index

    "

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