Irish and Scottish Art, c. 900-1900
Survivals and Revivals
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Product details:
- Publisher Edinburgh University Press
- Date of Publication 31 May 2025
- Number of Volumes Print PDF
- ISBN 9781399517386
- Binding Paperback
- No. of pages pages
- Size 244x170 mm
- Language English
- Illustrations 166 colour illustrations, 1 black and white table 700
Categories
Short description:
Studies the shared artistic traditions of Scotland and Ireland, from the medieval to the modern
MoreLong description:
As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers.
Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their ?Celtic? and/or ?Gaelic? character has remained to the forefront of Scottish and Irish national expression.
Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.
Table of Contents:
AcknowledgementsList of ContributorsList of IllustrationsAbbreviationsIntroduction: Introduction: Relics, Revivals and Replicas in the Gaelic World - Rachel Moss and Heather PulliamArts, Belief and Politics in Scotland and Ireland c. 500 ? c. 1900 - Rachel Moss and Heather PulliamPart 1 New Landscapes: Monuments, Place and PermanenceRemaking the Gaelic Christian Landscape: Devotion, Iconoclasm and Tourism in Post-Reformation Ireland and Scotland - Rachel MossInsular Motifs and Traditions in Late Medieval Monumental Sculpture in the West Highlands and Islands - David CaldwellThe Tuam Crosses: A Legacy of Fragmentation and Dislocation - Ana DolanPart 2 Heirlooms and Heritage: Broken, Mended and GiftedOn Insular Bells and Shrines - Cormac BourkeRemaking and Remembering the Monymusk Reliquary - Alice BlackwellIrish Medieval Book-shrines: Repairs, Recycling and Restorations - Paul MullarkeyEarly Irish and Scottish Crosiers in the Later and Post-medieval Periods: Relics and Reliquaries - Griffin MurrayLate Medieval Metalworking in Fifteenth- and Sixteenth-century Gaelic Ireland and Scotland - Raghnall Ó FloinnA Leg (or Two) to Stand on: Rethinking the Drinking Horn - Carol Neuman de VegvarPart 3: Imitation and Authenticity: Claiming the PastScribe and Limner in the Late-medieval Gaelic Manuscript Tradition - Pádraig Ó MacháinA Basis for Celtic Revival Art in Scotland - Murdo MacdonaldReproduction of the Hunterston Brooch in Scotland and Ireland, c. 1850?1900 - Tara KellyDruids and Mistletoe: A Case Study of Authenticity and Identity in the Celtic Revival - Heather PulliamPostscriptChanging Perceptions and the Future of Insular and Gaelic and Celtic Material Culture - Rachel Moss and Heather PulliamGlossary of termsBiblipgraphyIndex
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Irish and Scottish Art, c. 900-1900: Survivals and Revivals
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