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Product details:
- Publisher OUP USA
- Date of Publication 8 October 2021
- ISBN 9780197567616
- Binding Hardback
- No. of pages154 pages
- Size 148x218x17 mm
- Weight 304 g
- Language English 0
Categories
Short description:
Image in the Making examines the ways in which digital technology changes our understanding of and engagement with the visual arts. At the current stage of development in digital technology, we cannot always tell, just by looking, that an image was made with digital - versus analog - tools. But a case can be made for fully appreciating an image only in terms of its underlying digital structure and technology.
MoreLong description:
Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images - whether they are still or moving, 2D or 3D - have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age?
Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. Katherine Thomson-Jones makes the case for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form - from digital video installation to net art to digital cinema - there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an image can be for us as human beings.
For readers exploring the specificity of digital media, Image in the Making offers a solid introduction and raises questions and distinctions that are helpful for both viewers and makers of digital art. The book's aims are pedagogical, with each chapter stating its thesis clearly and concluding with a summation. While the style of argument may be new to some readers, and the emphasis on formal analysis without attention to broader political elements may be off putting to others, the book makes a useful contribution to the broader discussions of contemporary digital media.
Table of Contents:
Introduction
Acknowledgments
1. Digital Imaging Technology
2. Digital Structure
3. Digital Ontology and Appreciation
4. Digital Media and Appreciation
5. Digital Interactivity
6. Digital Realism
