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    Holocaust Graphic Narratives: Generation, Trauma, and Memory

    Holocaust Graphic Narratives by Aarons, Victoria;

    Generation, Trauma, and Memory

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      • Publisher's listprice GBP 26.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        13 659 Ft (13 009 Ft + 5% VAT)
      • Discount 10% (cc. 1 366 Ft off)
      • Discounted price 12 294 Ft (11 708 Ft + 5% VAT)

    13 659 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    Holocaust Graphic Narratives examines Holocaust graphic novels and memoirs, analyzing the genre as one that enables intergenerational transmission of trauma and memory. Here, the graphic novel becomes a medium uniquely positioned to create a sense of felt immediacy, urgency, and authenticity at the intersection of history and the imagination.

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    Long description:

    In Holocaust Graphic Narratives, Victoria Aarons demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Aarons analyzes the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss. In recreating moments of traumatic rupture, dislocation, and disequilibrium, these graphic narratives contribute to the evolving field of Holocaust representation and establish a new canon of visual memory. The intergenerational dialogue established by Aarons’ reading of these narratives speaks to the on-going obligation to bear witness to the Holocaust. Examined together, these intergenerational works bridge the erosions created by time and distance. As a genre of witnessing, these graphic stories, in retracing the traumatic tracks of memory, inscribe the weight of history on generations that follow.
     

    "Holocaust Graphic Novels is a gem. The author is a master of her subject, discussing the many contributions made by graphic Holocaust novels with great erudition. In Aarons' intelligent and insightful readings, the caesura induced by the Shoah continues to send intergenerational psychological shock waves."

     

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    Table of Contents:

    Contents
    Acknowledgments
    Introduction: Holocaust Graphic Narratives: Visual Testimonies of Memory
    1          The Performance of Memory: Miriam Katin’s We Are On Our Own,
                A Child Survivor’s (Auto)Biographical Memoir
    2          Memory Frames: Mendel’s Daughter, A Second-Generation Perspective
    3          “Replacing absence with memory”: Bernice Eisenstein’s Graphic Memoir
                I Was the Child of Holocaust Survivors
    4          Flying Couch: A Third-Generation Tapestry of Memory
    5          Yossel: April 19, 1943: Possible Histories
    6          Visual Landscapes of Memory: Fracturing Time and Space
                Epilogue: An Inheritance of Memory
    Acknowledgments
                Notes
    Bibliography
                Index
                About the Author
     

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