Hellenistic and Roman Ideal Sculpture
The Allure of the Classical
- Publisher's listprice GBP 32.00
-
16 195 Ft (15 424 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 3 239 Ft off)
- Discounted price 12 956 Ft (12 339 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
16 195 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Cambridge University Press
- Date of Publication 8 September 2014
- ISBN 9781107699700
- Binding Paperback
- No. of pages223 pages
- Size 254x178x11 mm
- Weight 550 g
- Language English 0
Categories
Short description:
This book is an illuminating analysis showing the power and allure of Greek Classical past in Hellenistic and Roman art.
MoreLong description:
In this book, Rachel Kousser draws on contemporary reception theory to present an approach to Hellenistic and Roman ideal sculpture. She analyzes the Romans' preference for retrospective, classicizing statuary based on Greek models as opposed to the innovative creations prized by modern scholars. Using a case study of a particular sculptural type, a forceful yet erotic image of Venus, Kousser argues that the Romans self-consciously employed such sculptures to represent their ties to the past in a rapidly evolving world. Kousser presents Hellenistic and Roman ideal sculpture as an example of a highly effective artistic tradition that was, by modern standards, extraordinarily conservative. At the same time, the Romans' flexible and opportunistic use of past forms also had important implications for the future: it constituted the origins of classicism in Western art.
'Kousser demonstrates how careful iconographic analysis of the material can be insightful and help us understand better the importance of sculpture in specific contexts.' Bryn Mawr Classical Review
Table of Contents:
1. Creating the past: the origins of classicism in Hellenistic sculpture; 2. From Greece to Rome: retrospective sculpture in the early empire; 3. From metropolis to empire: retrospective sculpture in the high empire; 4. From Roman to Christian: retrospection and transformation in late antique art.
More
