Handel's Muse
Patterns of Creation in his Oratorios and Musical Dramas, 1743-1751
Series: Oxford Monographs on Music;
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Product details:
- Publisher OUP Oxford
- Date of Publication 8 February 2001
- ISBN 9780198163961
- Binding Hardback
- No. of pages310 pages
- Size 242x163x21 mm
- Weight 666 g
- Language English
- Illustrations numerous music examples, 7 illustrations, 2 figures 0
Categories
Short description:
This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music.
MoreLong description:
Handel's frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, where possible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel's regular musical concerns while also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel's compositional process and furthering our knowledge about Handel's interactions with librettists and singers during the oratorio years.
It would be hard to overstate the value of this excellent book. In having the courage to go right back to the unfashionable sources, David Ross Hurley has blown away a number of Handelian cobwebs, and raised substantial questions for future research.
Table of Contents:
Acknowledgements
Introduction
Writing the Score
The Process of Creation: Forethought and Spontaneity
The Quest for Melodic Diversity
Handel as Harmonic Blacksmith: Changes in Tonal Structure
Texture as Form
The Rough Places Made Plain: Closure vs. Continuity
Texts, Musical Form, and Dramatic Impact
Musical Imagery as Drama
Singers and the Creative Process
Conclusions
Bibliography
Index of Handel's Compositions
General Index
