Grammar of the Edit
Fourth Edition
- Publisher's listprice GBP 150.00
-
75 915 Ft (72 300 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 7 592 Ft off)
- Discounted price 68 324 Ft (65 070 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
75 915 Ft
Availability
Out of print
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 4, New edition
- Publisher Routledge
- Date of Publication 27 July 2017
- ISBN 9781138632196
- Binding Hardback
- See also 9781138632202
- No. of pages308 pages
- Size 229x152 mm
- Weight 548 g
- Language English
- Illustrations 361 Illustrations, black & white; 1 Tables, black & white 0
Categories
Short description:
Tell more effective visual stories by learning the "grammar" of cinematic language with this elegant, accessible reference. The fourth edition of Grammar of the Edit gives you the answers to the all-important questions of when to cut and why, and teaches readers the principles behind transitions, editing for continuity, selecting the best shots, editing sound, color correction, and more. Designed as an easy-to-use guide, Grammar of the Edit presents each topic succinctly with clear photographs and diagrams illustrating key concepts, practical exercises and quiz questions, and is a staple of any filmmaker?s library.
New to the fourth edition:
- An expanded companion website offering downloadable and editable raw footage so that students can practice the techniques described in the book, and instructional videos showcasing examples of different editing choices and types of shot transitions.
- New and expanded quiz questions and practical exercises at the end of each chapter help test readers on their knowledge using real-world scenarios.
- Updated topic discussions, explanations, illustrations and visual examples.
- An all-new chapter on Sound resources in filmmaking and Audio Editing guidelines.
Together with its companion volume, Grammar of the Shot, the core concepts discussed in these books offer concise and practical resources for both experienced and aspiring filmmakers.
MoreLong description:
Tell more effective visual stories by learning the "grammar" of cinematic language with this elegant, accessible reference. The fourth edition of Grammar of the Edit gives you the answers to the all-important questions of when to cut and why, and teaches readers the principles behind transitions, editing for continuity, selecting the best shots, editing sound, color correction, and more. Designed as an easy-to-use guide, Grammar of the Edit presents each topic succinctly with clear photographs and diagrams illustrating key concepts, practical exercises and quiz questions, and is a staple of any filmmaker?s library.
New to the fourth edition:
- An expanded companion website offering downloadable and editable raw footage so that students can practice the techniques described in the book, and instructional videos showcasing examples of different editing choices and types of shot transitions.
- New and expanded quiz questions and practical exercises at the end of each chapter help test readers on their knowledge using real-world scenarios.
- Updated topic discussions, explanations, illustrations and visual examples.
- An all-new chapter on Sound resources in filmmaking and Audio Editing guidelines.
Together with its companion volume, Grammar of the Shot, the core concepts discussed in these books offer concise and practical resources for both experienced and aspiring filmmakers.
MoreTable of Contents:
Acknowledgments
Introduction
Chapter One ? Editing Basics
A Very Brief History of Film Editing
What Basic Factors May Affect Your Editing Choices?
The Tools
Project Type and Genre
Degree of Audience Manipulation
Other Factors
Stages of the Editing Process
The Basic Motion Picture Transitions
Chapter One Summation - Editing Purpose & Process
Related Material from Chapter Eight ? Working Practices
Chapter One ? Review
Chapter One ? Exercises & Projects
Chapter One ? Quiz Yourself
?
Chapter Two ? Understanding the Visual Material
Basic Shot Types
Shot Descriptions
Shot Categories ? The Increasing Complexity of Motion Imagery
Simple Shots
Complex Shots
Developing Shots
Chapter Two Summation ? Camera Shots Are Your Building Blocks
Related Material from Chapter Eight ? Working Practices
Chapter Two ? Review
Chapter Two ? Exercises & Projects
Chapter Two ? Quiz Yourself
Chapter Three ? Understanding the Audio Material
Sounds Gathered During Production
Dialogue
Room Tone / Natural Sound / Ambiance
Wild Sounds
Soundtracks (musical) ?
Sounds Gathered During Post-Production
Narration / Voiceover
Automated Dialogue Replacement / Looping
Ambience / Tonal Tracks
Sound Effects / Spot Effects
Foley Effects
Soundtracks (music)
Sting / Stinger
Score
Audio Terms You May Encounter
Sync Sound
Diegetic Sound
Non-diegetic Sound
Sound Design
Sound Motif
Chapter Three Summation ? Sound as Emotional and Physiological Manipulation
Related Material from Chapter Eight ? Working Practices
Chapter Three ? Review
Chapter Three ? Exercises & Projects
Chapter Three ? Quiz Yourself
Chapter Four ? Assessing the Footage: Selecting the Best Shots for the Job
Criteria for Shot Assessment
Focus
Framing and Composition
Exposure and Color Balance
Screen Direction
180 Degree Rule / Axis of Action
30 Degree Rule
Matching Angles
Matching Eye-line
Continuity of Action
Performance
Continuity of Dialogue / Spoken Words
Audio Quality
Be Familiar with All of the Footage
Chapter Four Summation - So How Does All of This Help You?
Related Material from Chapter Eight ? Working Practices
Chapter Four ? Review
Chapter Four ? Exercises & Projects
Chapter Four ? Quiz Yourself
?
Chapter Five ? When to Cut and Why
What Factors Lead to Making an Edit?
Information
Motivation
Shot Composition
Camera Angle
Continuity Sound
Chapter Five Summation - Is There a Right or Wrong Reason for a Cut??
Related Material from Chapter Eight ? Working Practices
Chapter Five ? Review
Chapter Five ? Exercises & Projects
Chapter Five ? Quiz Yourself
Chapter Six ? Transitions and Edit Categories
The Cut
The Dissolve
The Wipe
The Fade
The Five Major Categories of Edit Types
The Action Edit
The Screen Position Edit
The Form Edit
The Concept Edit
The Combined Edit
Chapter Six Summation - Does Everything Always Apply?
Related Material from Chapter Eight ? Working Practices
Chapter Six ? Review
Chapter Six ? Exercises & Projects
Chapter Six ? Quiz Yourself
Chapter Seven ? Editing Terms, Topics, and Techniques
Additional Editing Terms
Timecode
Montage
Parallel Editing
Multi-camera Editing
Composite Editing
Rendering
Chromakey
Video Resolution
Additional Editing Topics
Sound Editing
Color Correction / Color Grading
Importing Still Images
Digital Workflow
Technology vs. Creativity
Chapter Seven Summation ? Old Techniques Done With New Technologies
Related Material from Chapter Eight ? Working Practices
Chapter Seven ? Review
Chapter Seven ? Exercises & Projects
Chapter Seven ? Quiz Yourself
Chapter Eight ? Working Practices
Chapter Eight ? Review
Chapter Eight ? Exercises & Projects
Chapter Eight ? Quiz Yourself
Chapter Nine ? Key Take-Aways for New Editors
Sound and Vision are Partners
A New Shot Should Contain New Information
There Should Be a Reason for Every Edit
Pacing Has a Purpose
Observe the Action Line
Select the Appropriate Form of Edit
The Better the Edit, the Less it is Noticed
Editing is Manipulation
The Role of an Assistant Editor
Editing is Creating
?
Chapter Nine Summation ? Concluding Thoughts
Chapter Nine ? Review
Chapter Nine ? Exercises & Projects
Chapter Nine ? Quiz Yourself
Appendix A ? Helpful Resources for the New Filmmaker
Appendix B ? Common Crew Members Needed for Motion Picture Production?
Appendix C ? Practice Script
Glossary
Index
More
