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    Gothic Print Culture, 1789-1900: Volume I: Novels

    Gothic Print Culture, 1789-1900 by Camden, Jennifer; DeLucia, JoEllen;

    Volume I: Novels

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 24 July 2026

    • ISBN 9780367649586
    • Binding Hardback
    • No. of pages312 pages
    • Size 234x156 mm
    • Weight 453 g
    • Language English
    • Illustrations 7 Halftones, black & white
    • 700

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    Short description:

    The first volume of Gothic Print Culture, 1789-1900 reprints excerpts from rare Gothic novels to chart the relationship between Gothic aesthetics and the shifting economic, technological and legal affordances of print in the long nineteenth century. 

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    Long description:

    The first volume of Gothic Print Culture, 1789-1900 reprints excerpts from rare Gothic novels to chart the relationship between Gothic aesthetics and the shifting economic, technological and legal affordances of print in the long nineteenth century. Highlighting the anonymous and pseudonymous authors, commercial presses and circulating libraries—such as the Minerva Press—that shaped the early Gothic more than any one author, the first half of the volume makes possible a revaluation of the collective voice of early Gothic fiction. The second half considers the increasingly sophisticated mediation and dissemination of Gothic novels. Victorian Gothics, such as James Malcom Rymer’s penny blood The Apparition and William Harrison Ainsworth’s Windsor Castle, were published both serially and in volume form. The movement between serial publication and volume formats provides a new context for study of the Gothic novel’s reliance on inset tales and cliffhangers, which can be understood as an effect of their publication within magazines and newspapers. Finally, the transatlantic publication circuits of May Agnes Gordon’s Midnight Queen and Julien Gordon’s Vampires shed new light on the Gothic and the development of international copyright law.

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    Table of Contents:

    Volume I. Novels


      


    Acknowledgements


    List of Figures


    General Introduction


    Volume I Introduction


     


    1. Anon., Phantoms of the Cloister; or The Mysterious Manuscript. A Novel (London, William Lane at the Minerva Press, 1795). 3 vols.


    2. F. C. Patrick, The Jesuit, or the history of Antony Babington, Esq: a historical novel (London and Bath: R. Cruttwell, 1799). 3 vols.  


    3. Eliza Ratcliffe, The Mysterious Baron or the Castle in the Forest: A Gothic Story (London: J. B. G. Vogel, 1808). 1 vol. 


    4. Jacques Cazotte, Anon. Trans. Biondetta, or the Enamoured Spirit: A Romance. Translated from Le Diable Amoureux of M. Cazotte (London: John Miller, 1810). 1 vol. 


    5. J. Hutton, The Castle of Altenheim, or the Mysterious Monk: A Tale. (Philadelphia: A. I. Dickinson, 1836). 1 vol.


    6. J. W. Loudon, The Mummy! A Tale of the Twenty-Second Century (London: Henry Colburn, 1828). 3 vols.


    7. W. H. Ainsworth, Windsor Castle: A Historical Romance (London: Henry Colburn, 1843).  1 vol.  


    8. J. M. Rymer, The Apparition: a Romance. (London: Edward Lloyd, 1846). 1 vol.


    9. R. F. Burton, Vikram and the Vampire (London: Longman 1870). 1 vol.


    10. M. A. Fleming, The Midnight Queen. A Novel (New York: G.W. Dillingham, 1888). 1 vol.


    11. J. Gordon, (pseud.), Vampires (London: Ward, Lock & Bowden, Ltd. 1893). 1 vol.


    12. C. L. Daniels, Sardia: a Tale of Love (Boston: Lee & Shepard, 1891). 1 vol.



    Bibliography


    Index


     


     


     

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