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    Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy

    Girl Culture in the Middle Ages and Renaissance by Williams, Deanne;

    Performance and Pedagogy

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      • Publisher's listprice GBP 85.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        43 018 Ft (40 970 Ft + 5% VAT)
      • Discount 20% (cc. 8 604 Ft off)
      • Discounted price 34 415 Ft (32 776 Ft + 5% VAT)

    43 018 Ft

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    Product details:

    • Publisher The Arden Shakespeare
    • Date of Publication 29 June 2023
    • Number of Volumes Hardback

    • ISBN 9781350343207
    • Binding Hardback
    • No. of pages336 pages
    • Size 234x156 mm
    • Language English
    • Illustrations 40 bw illus
    • 516

    Categories

    Long description:

    Deanne Williams offers the very first study of the medieval and early modern girl actor. Whereas previous histories of the actress begin with the Restoration, this book demonstrates that the girl is actually a well-documented category of performer and a key participant in the drama of the Middle Ages and Renaissance. It explores evidence of the girl actor in archival records of payment, eyewitness accounts, stage directions, paintings, and in the plays and masques that were explicitly composed for girls, and, in some cases, by them.

    Contradicting previous scholarly assumptions about the early modern stage as male-dominated, this evidence reveals girls' participation in medieval religious drama, Tudor civic pageants and royal entries, Elizabethan country house entertainments, and Stuart court and household masques. This book situates its historical study of the girl actor within the wider contexts of 'girl culture', including girls as singers, translators and authors. By examining the impact of the girl actor on constructions of girlhood in the work of Shakespeare - whose girl characters register and evoke the power of the performing girl - Girl Culture in the Middle Ages and Renaissance argues that girls' dramatic, musical and literary performances actively shaped medieval and early modern culture.

    It shows how the active presence and participation of girls shaped medieval and Renaissance culture, and it reveals how some of its best-known literary and dramatic texts address, represent, and reflect upon girl children, not as an imagined ideal, but as a lived reality.

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    Table of Contents:

    List of Illustrations
    Acknowledgements
    Biographical Note
    Note on the Text

    Introduction. Cultures of Girlhood

    Chapter One. A Theatre of Girlhood
    Gandersheim Girls
    Performance and Pedagogy
    Performing Girls, Performing Girlhood
    Humanist Hrotswitha

    Chapter Two. Performing Virginity
    Et tripident
    The Girlhood of the Virgin Mary
    'Not fourteen'

    Chapter Three. The French Girlhood of Anne Boleyn
    Fille d'Honneur
    The Girlhood Reading of Claude de France
    Anne Boleyn's Songbook
    Henry VIII and the Afterlife of Girlhood

    Chapter Four. Translating Daughters
    A Girl at her Desk
    A Girl and a Play
    A Girl on Stage

    Chapter Five. Faithful Shepherdesses
    'Courting of the Shepheardesses'
    'Eliza, Queen of Shepheardes'
    'Captive or Sheppardesses life'

    Chapter Six. Wanton Ambling Nymphs
    A Glittering Procession
    Milksop Ladies
    'Enter a Nimpth'
    'Fair Silver-buskined Nymphs'

    Chapter Seven. Global Girlhoods
    A Girl in the World
    Spice Girl
    A Quintessence of Cordial

    Conclusion. Girl my Greatness

    Notes
    Bibliography
    Index

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