French Opera at the Fin de Siècle
Wagnerism, Nationalism, and Style
- Publisher's listprice GBP 110.00
-
52 552 Ft (50 050 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 5 255 Ft off)
- Discounted price 47 297 Ft (45 045 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
52 552 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Clarendon Press
- Date of Publication 9 September 1999
- ISBN 9780198162803
- Binding Hardback
- No. of pages544 pages
- Size 242x162x38 mm
- Weight 981 g
- Language English
- Illustrations numerous halftones and music examples 0
Categories
Short description:
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colourful account of such operatic favourites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus. For the first time opera lovers have available under a single cover a survey of a repertory profoundly influenced by the music of Richard Wagner.
MoreLong description:
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colourful account of such operatic favourites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus. For the first time opera lovers have available under a single cover a survey of a repertory profoundly influenced by the music of Richard Wagner.
His considerations on specific musical details are pertinent in themselves and convincingly related to larger-scale musical processes
