
Forging Authenticity ? Giovanni Bastianini and theNneo?Renaissance in Nineteenth?Century Florence
Giovanni Bastianini and the Neo-Renaissance in Nineteenth-Century Florence
- Publisher's listprice GBP 70.00
-
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 13% (cc. 4 606 Ft off)
- Discounted price 30 821 Ft (29 354 Ft + 5% VAT)
35 427 Ft
Availability
Not yet published.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Yale University Press
- Date of Publication 30 April 2025
- ISBN 9788822261717
- Binding Hardback
- No. of pages190 pages
- Size 323x903x710 mm
- Weight 3000 g
- Language English 700
Categories
Short description:
Giovanni Bastianini (1830?1868) was a gifted Florentine sculptor, but an
outstanding creator of fakes. This book explores both his
own style and the style of the works he sold as Renaissance art, and the nature
of the demand for them.
Long description:
Giovanni Bastianini (1830-1868) was a Florentine sculptor whose creations
answered to the growing demand for Renaissance and Renaissance-like works of
art during the second half of the 19th century. Arguably the most infamous and
gifted imitator/faker of Italian Renaissance sculpture, he became a subject of great
controversy during his lifetime that continues to this day.
This book examines Bastianini?s total oeuvre, exploring the differences
between his pseudo-Renaissance and his contemporary ?period? style. At the same
time, it places him firmly within the economic, political and cultural context that
encouraged the production of neo-Renaissance art, which found a ready market
in both Europe and the New World. The book will be of great interest not only to
scholars of Italian Renaissance and nineteenth-century sculpture attempting to
sort out the authentic from works of questionable attribution, but also to those
engaged in the history of taste and the conditions surrounding the Risorgimento
that promoted the creation and acquisition of Renaissance art and artifacts in both
Europe and the New World during the latter part of the nineteenth century.