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    Faking the Ancient Andes

    Faking the Ancient Andes by Bruhns, Karen O; Kelker, Nancy L;

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      • Publisher's listprice GBP 39.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 238 Ft (19 275 Ft + 5% VAT)
      • Discount 10% (cc. 2 024 Ft off)
      • Discounted price 18 215 Ft (17 348 Ft + 5% VAT)

    20 238 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 15 January 2010
    • Number of Volumes Paperback

    • ISBN 9781598743951
    • Binding Paperback
    • No. of pages222 pages
    • Size 229x152 mm
    • Weight 317 g
    • Language English
    • Illustrations b/w illus
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    Short description:

    This is an important accessible introduction to pre-Columbian art fraud of South America for archaeologists, art historians, and museum professionals alike.

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    Long description:

    Nasca pots, Quimbaya figurines, Moche porn figures, stone shamans. Fakes and forgeries run rampant in the Andean art collections of international museums and private individuals. Authors Karen Bruhns and Nancy Kelker examine the phenomenon in this eye-opening volume. They discuss the most commonly forged classes and styles of artifacts, many of which were being duplicated as early as the 19th century. More important, they describe the system whereby these objects get made, purchased, authenticated, and placed in major museums as well as the complicity of forgers, dealers, curators, and collectors in this system. Unique to this volume are biographies of several of the forgers, who describe their craft and how they are able to effectively fool connoisseurs and specialists. This is an important accessible introduction to pre-Columbian art fraud for archaeologists, art historians, and museum professionals alike. A parallel volume by the same authors discusses fakes in Mesoamerican archaeology.

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    Table of Contents:

    Chapter 1 Imagined Histories; Chapter 2 Artisans, Ateliers, and Their Faux Works; Chapter 3 All that Glitters Is not Old; Chapter 4 All Slipped Up and Everywhere To Go; Chapter 5 Clay-Mates, or Imagination Run Riot; Chapter 6 Hard Cheese for Hard Rocks; Chapter 7 Pocket Candy?Lapidary Arts and Objets de Vertu in the Andes; Chapter 8 Woodcarvers, Weavers, and Fake Mummies?; Chapter 9 Phoenicians and Dinosaurs The Squirrelly Side of Forgery;

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    Faking the Ancient Andes

    Faking the Ancient Andes

    Bruhns, Karen O; Kelker, Nancy L;

    20 238 HUF

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