Facial Choreographies
Performing the Face in Popular Dance
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Product details:
- Publisher OUP USA
- Date of Publication 12 December 2023
- ISBN 9780197620366
- Binding Hardback
- No. of pages258 pages
- Size 156x235x18 mm
- Weight 499 g
- Language English
- Illustrations 25 b&w halftones 470
Categories
Short description:
The face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles.
MoreLong description:
The face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. Author Sherril Dodds focuses on popular presentational dance, which permits the face to be one of excess and spectacle, as well as disclosure or deception. The concept of facial choreography resists the idea that the expressive countenance in dance is simply by chance, and instead conceives its movement as purposeful, creative, and communicative.
The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles. Chapters are organized according to action-expressions, actively working even in times of stillness: SMILE, LOOK, FROWN, CRY, SCREAM, and LAUGH. Across each case study, the book explores pedagogies of facial composition, the purpose of codified expressions, and how dancers re-choreograph their faces as a critical unworking of what a dancing visage might represent. Facial choreographies engender opportunity for startling creativity, the articulation of identity, a cathartic expression of emotions and attitudes, and the capacity to dismantle previously held assumptions. As the dancing face tauntingly slips between visual, sensory, and kinetic registers it ensures that nothing can be taken at face value.
Facial Choreographies delivers on its promise of the "hyperbolic and hypermobile" face in presentational popular dance whose meaning in motion is both the realm of the visual and semiotic as well as the sensorial and experiential on the part of the dancer.
Table of Contents:
About Face
The Face in Performance
Performing the Habitual Face
The Work of Facial Choreography
SMILE
Michael Jackson and the Pedagogy of a Smile
The Tenacity of the Minstrel Smile
Maddie Ziegler and the Billion-Dollar Smile
Smiling Towards Happiness
LOOK
(En)Visioning the World
Performances of Looking in Hip Hop
Feeling the Gaze in Battles
Check out the B-Girls
FROWN
Michael Jackson and The Intention to be Bad
Frowning and Facial Signifyin(g)
Mythologies of Mean Mugging in Breaking
Mugsy, Bugsy, and Keeping it Real
CRY
The Surrogate Face of a Reluctant Celebrity
Sia and Big Girls Cry
Maddie Ziegler and her Affective Cry
A Cry of Outrage
SCREAM
Re-Facing Michael Jackson
Defacement, Freakery, And Race
A Choreographic Scream
Michael Jackson: The Commodity and the Cut
LAUGH
The Viral Face of Maddie Ziegler
Maddie, Eddie, and a Wookie
Laughter and Derision in Hip Hop Battles
Tickling the Cypher Crowd
Face the Facts
Bibliography
Index
