Exhibiting Antonio Canova
Display and the Transformation of Sculptural Theory
- Publisher's listprice GBP 151.00
-
72 140 Ft (68 705 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 14 428 Ft off)
- Discounted price 57 712 Ft (54 964 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
72 140 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 16 August 2023
- ISBN 9789463724098
- Binding Hardback
- No. of pages294 pages
- Size 260x210 mm
- Weight 700 g
- Language English
- Illustrations 6 Illustrations, black & white; 108 Illustrations, color 567
Categories
Short description:
Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova’s sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects.
MoreLong description:
Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova’s sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders’ discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general.
MoreTable of Contents:
List of Illustrations, Acknowledgments, Introduction, Canova on Display, Chapter One. Imagining Sculptural Practice, Chapter Two. Reevaluating Ancients and Moderns, Chapter Three. Anatomizing the Female Nude, Chapter Four. Challenging the Supremacy of Painting, Chapter Five. Defining Modern Sculpture, Conclusion. Aftereffects, Bibliography, Index.
More
