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  • Elaine May
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      • Publisher's listprice GBP 16.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

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    8 116 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher University of Illinois Press
    • Date of Publication 7 January 2025
    • Number of Volumes Paperback

    • ISBN 9780252088582
    • Binding Paperback
    • No. of pages192 pages
    • Size 210x140x20 mm
    • Weight 254 g
    • Language English
    • Illustrations 30 black & white photographs
    • 577

    Categories

    Short description:

    A master of subverting tropes with surgical precision, Elaine May forged a career in 1970s Hollywood with films like The Heartbreak Kid and Mikey and Nicky. Elizabeth Alsop explores the director’s non-conformist and uncompromising vision while looking at May’s films against trends in classic and post-classical Hollywood.

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    Long description:

    A master of subverting tropes with surgical precision, Elaine May forged a career in 1970s Hollywood with films like The Heartbreak Kid and Mikey and Nicky. Elizabeth Alsop explores the director’s non-conformist and uncompromising vision while looking at May’s films against trends in classic and post-classical Hollywood. Shaped by her background and success in the theater, May brought the biting humor of her improv comedy to her filmmaking. But unfriendly media and a system hostile to both her methods and sensibility consigned her to “director’s jail” after the failure of Ishtar. As Alsop moves through the filmmaker’s four movies, she tracks May’s inventive treatment of favorite themes like hapless male characters and the inanities of American culture. She also considers May’s work in relation to her multifaceted career as a writer and performer.

    A compelling reconsideration of an iconoclast and original, Elaine May reveals how a surprisingly radical auteur created her trademark cinema of discomfort.

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    Table of Contents:

    Acknowledgments

    An Unsentimental Education: The Films of Elaine May

    A New Leaf and The Heartbreak Kid: Unromantic Comedies

    Mikey and Nicky: Digression and Masculine Dysfunction

    Ishtar: Trolling Hollywood

    Flopping and Feminist Film Historiography

    An Interview with Elaine May

    Filmography

    Bibliography

    Index

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