Dreaming the Great Brahmin
Tibetan Traditions of the Buddhist Poet-Saint Saraha
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Product details:
- Publisher OUP USA
- Date of Publication 23 June 2005
- ISBN 9780195173734
- Binding Hardback
- No. of pages240 pages
- Size 236x166x18 mm
- Weight 485 g
- Language English 0
Categories
Short description:
Dreaming the Great Brahmin explores the creation and recreation of Buddhist saints through narratives, poetry, art, ritual, and even dream visions. The first comprehensive cultural and literary history of the well-known Indian Buddhist poet saint Saraha, known as the Great Brahmin, this book argues that we should view Saraha not as the founder of a tradition, but rather as its product. Kurtis Schaeffer shows how images, tales, and teachings of Saraha were transmitted, transformed, and created by members of diverse Buddhist traditions in Tibet, India, Nepal, and Mongolia.
MoreLong description:
Dreaming the Great Brahmin explores the creation and recreation of Buddhist saints through narratives, poetry, art, ritual, and even dream visions. The first comprehensive cultural and literary history of the well-known Indian Buddhist poet saint Saraha, known as the Great Brahmin, this book argues that we should view Saraha not as the founder of a tradition, but rather as its product. Kurtis Schaeffer shows how images, tales, and teachings of Saraha were transmitted, transformed, and created by members of diverse Buddhist traditions in Tibet, India, Nepal, and Mongolia. The result is that there is not one Great Brahmin, but many. More broadly, Schaeffer argues that the immense importance of saints for Buddhism is best understood by looking at the creative adaptations of such figures that perpetuated their fame, for it is there that these saints come to life.
This is a splendid contribution to the growing body of materials about Saraha and his famed treasury of tantric songs with a special focus on the Tibetan creation, and recreation, of both over the centuries. Schaeffer examines both in the larger contexts of Tibetan literature, history and aesthetics, tracing the development of the figure of Saraha and his esoteric poetry in Tibetan narratives, ritual cycles, visions, iconography, and polemical debate. He reveals Saraha's famous anthology, The Treasury of Doha, to be a rich, creative and fluid communal tradition that had an organic life in Tibet, rather than a static composition with origins lost in an Indian past. This wonderful blend of the social analysis, aesthetics, and translation is an important work for Tibetan, Buddhist, and Tantric studies.
