Doubting Vision
Film and the Revelationist Tradition
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Product details:
- Publisher OUP USA
- Date of Publication 14 August 2008
- ISBN 9780195320985
- Binding Paperback
- No. of pages160 pages
- Size 229x152x15 mm
- Weight 204 g
- Language English
- Illustrations numerous halftones 0
Categories
Long description:
The film theories of Jean Epstein, Dziga Vertov, Bela Balazs, and Siegfried Kracauer have long been studied separately from each other. In Doubting Vision, film scholar Malcolm Turvey argues that their work constitutes a distinct, hitherto neglected tradition, which he calls revelationism, and which differs in important ways from modernism and realism. For these four theorists and filmmakers, the cinema is an art of mass enlightenment because it escapes the limits of human sight and reveals the true nature of reality. Turvey provides a detailed exegesis of this tradition, pointing to its sources in Romanticism, the philosophy of Henri Bergson, modern science, and other intellectual currents. He also shows how profoundly it has influenced contemporary film theory by examining the work of psychoanalytical-semiotic theorists of the 1970s, Stanley Cavell, the modern-day followers of Kracauer and Walter Benjamin, and Gilles Deleuze.
Throughout, Turvey offers a trenchant critique of revelationism and its descendants. Combining the close analysis of theoretical texts with the philosophical method of conceptual clarification pioneered by the later Wittgenstein, he shows how the arguments theorists and filmmakers have made about human vision and the cinema's revelatory powers often traffic in conceptual confusion. Having identified and extricated these confusions, Turvey builds on the work of Epstein, Vertov, Balazs, and Kracauer as well as contemporary philosophers of film to clarify some legitimate senses in which the cinema is a revelatory art using examples from the films of filmmakers such as Alfred Hitchcock and Jacques Tati.
Classical film theory represents a rich body of work that is generally overlooked nowadays by contemporary scholars of cinema. In Doubting Vision, Malcolm Turvey demonstrates that this is a mistake. He identifies a hitherto ill-recognized strand of the tradition--the revelationist tradition--and he shows astutely how critical engagement with it has great significance for debates in contemporary film theory.
Table of Contents:
Introduction
The Revelationist Tradition: Exegesis
The Revelationsit Tradition: Critique
Revelationism and Contemporary Film Theory
The Lure of Visual Skepticism
Notes
