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  • Defining the Renaissance 'Virtuosa': Women Artists and the Language of Art History and Criticism

    Defining the Renaissance 'Virtuosa' by Jacobs, Fredrika H.;

    Women Artists and the Language of Art History and Criticism

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      • Publisher's listprice GBP 53.00
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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Product details:

    • Edition number New ed
    • Publisher Cambridge University Press
    • Date of Publication 13 August 1999

    • ISBN 9780521664967
    • Binding Paperback
    • No. of pages246 pages
    • Size 229x152x18 mm
    • Weight 340 g
    • Language English
    • Illustrations 32 b/w illus.
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    Short description:

    Jacobs examines art criticism on women artists who were active in Renaissance Italy.

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    Long description:

    Leonardo, Raphael and Michelangelo are familiar names that are often closely associated with the concepts of genius and masterpiece. But what about Sofonisba Anguissola, Lavinia Fontana, and Irene di Spilimbengo? Their names are unfamiliar and their works are literally unknown. Why? Defining the Renaissance 'Virtuosa' considers the language of art in relationship to the issues of gender difference through an examination of art criticism written between 1550 and 1800 on approximately forty women artists who were active in Renaissance Italy. Fredrika Jacobs demonstrates how these theoretical writings defined women artists, by linking artistic creation and biological procreation. She also examines the ambiguity of these women as both beautiful object and creator of beautiful object. Jacobs' study shows how deeply the biases of these early critics have inflected both subsequent reception of these Renaissance virtuose, as well as modern scholarship.

    "The book is more than a contribution to feminist revisionism; it also adds much to our understanding of how the art of painting was understood, and by defining 'feminine' artists and painting, it also gives a clearer sense of how 'masculinized' the concept of creativity was in the Renaissance." A. Langdale, Choice

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    Table of Contents:

    List of illustrations; Acknowledgments; 1. Introduction; 2. Problems of praise and Pythagorean contrariety; 3. (Pro)creativity; 4. Melancholia: a case study; 5. La donnesca mano; 6. Misplaced modifiers; 7. 'femmina masculo e masculo femmina'; Appendix I. A roster of sixteenth-century Italian women artists; Appendix II. Rime, Madrigali, and other early writings on artists and art; Notes; Bibliography; Index.

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