Dancing Revelations
Alvin Ailey's Embodiment of African American Culture
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Product details:
- Edition number New ed
- Publisher OUP USA
- Date of Publication 2 March 2006
- ISBN 9780195301717
- Binding Paperback
- No. of pages320 pages
- Size 235x155x17 mm
- Weight 540 g
- Language English
- Illustrations 50 halftones 0
Categories
Short description:
In Dancing Revolutions, Thomas DeFrantz chronicles the Alvin Ailey Dance Theatre's journey from small modern dance company to one of the premier institutions of African-American culture. DeFrantz charts the troupe's rise to national and international renown and contextualizes its progress within the civil rights, women's rights and gay rights struggles of the late 20th century. In addition, DeFrantz analyses all the major dances in the Ailey repertoire, examining the relationship between those works and African-American culture as a whole.
MoreLong description:
In the early 1960s, the Alvin Ailey American Dance Theater was a small, multi-racial company of dancers that performed the works of its founding choreographer and other emerging artists. By the late 1960s, the company had become a well-known African American artistic group closely tied to the Civil Rights struggle. In Dancing Revelations, Thomas DeFrantz chronicles the troupe's journey from a small modern dance company to one of the premier institutions of African American culture. He not only charts this rise to national and international renown, but also contextualizes this progress within the civil rights, women's rights, and gay rights struggles of the late 20th century.
DeFrantz examines the most celebrated Ailey dances, including Revelations, drawing on video recordings of Ailey's dances, published interviews, oral histories, and his own interviews with former Ailey company dancers. Through vivid descriptions and beautiful illustrations, DeFrantz reveals the relationship between Ailey's works and African American culture as a whole. He illuminates the dual achievement of Ailey as an artist and as an arts activist committed to developing an African American presence in dance. He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution.
Throughout Dancing Revelations, DeFrantz illustrates how Ailey combined elements of African dance with motifs adapted from blues, jazz, and Broadway to choreograph his dances. By re-interpreting these tropes of black culture in his original and well-received dances, DeFrantz argues that Ailey played a significant role in defining the African American cultural canon in the twentieth century. As the first book to examine the cultural sources and cultural impact of Ailey's work, Dancing Revelations is an important contribution to modern dance history and criticism as well as African-American studies.
"In Dancing Revelations: Alvin Ailey's Embodiment of African American Culture, Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccable piece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars, and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement
