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  • Dancing Chineseness and Techno-Choreography

    Dancing Chineseness and Techno-Choreography by Xu, Zhi;

    Series: Routledge Advances in Theatre & Performance Studies;

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      • Publisher's listprice GBP 145.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 273 Ft (65 975 Ft + 5% VAT)
      • Discount 10% (cc. 6 927 Ft off)
      • Discounted price 62 346 Ft (59 378 Ft + 5% VAT)

    69 273 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 1 December 2025

    • ISBN 9781032979571
    • Binding Hardback
    • No. of pages244 pages
    • Size 234x156 mm
    • Language English
    • Illustrations 31 Illustrations, black & white; 31 Halftones, black & white
    • 700

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    Short description:

    This book delves into the embodiment of Chineseness in digital performance, utilising the innovative methodology of ‘techno-choreography.’ For scholars and practitioners across disciplines like dance, theatre, performance, music, human-computer interaction, and for those enthralled by technology-imbued compositions.


     

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    Long description:

    This book delves into the embodiment of Chineseness in digital performance, utilising the innovative methodology of ‘techno-choreography.’


    This research critically examines professionally trained dancing bodies in Chinese dance from the vantage point of cultural transexperience. It offers profound discussions of Chineseness through an unprecedented lens, advancing a suite of choreographic tools beneficial for both academic and practical inquiries. The methodology of techno-choreography employed draws from theories as well as applications of interactivity, immersion, virtual reality, and motion capture systems. It perceives intercultural dancing bodies and cultural artefacts, such as chopsticks, gaoqiao, handkerchiefs, fans, and red silks, as interfaces during the dance composition process enacted within computational system environments. Insights are derived from full-length dance works created by the author: X-Body (2018), Mourning for a dead moon (2019), Unexpected Bodies (2020) and Being River (2024). This volume grapples with pertinent cultural and artistic questions including how Chineseness contributes to the process of techno-choreography, how technology affects the embodiment of Chineseness, and what Chineseness might be in the context of techno-choreography.


    This book will be indispensable for scholars and practitioners across disciplines such as dance, theatre, performance, music, and human–computer interaction, as well as for those enthralled by technology-imbued compositions.

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    Table of Contents:

    List of figures


    Preface


    Acknowledgments                                                                                              


      1.    Introduction                                                                              


      2.    Chineseness                                                                   


      3.    Intercultural dancing bodies                                                                                         


      4.    Techno-choreography


      5.    X-Body                                                                         


      6.    Mourning for a dead moon                  


      7.    Unexpected Bodies                                                     


      8.    Being River                                                                 


      9.    Dancing Chineseness                          


    Bibliography                                                                                                            


    Index

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