Cultural Netizenship – Social Media, Popular Culture, and Performance in Nigeria
Social Media, Popular Culture, and Performance in Nigeria
- Publisher's listprice GBP 31.00
-
14 810 Ft (14 105 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 1 481 Ft off)
- Discounted price 13 329 Ft (12 695 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
14 810 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher MH – Indiana University Press
- Date of Publication 3 May 2022
- Number of Volumes Print PDF
- ISBN 9780253060495
- Binding Paperback
- No. of pages292 pages
- Size 229x152x16 mm
- Weight 419 g
- Language English
- Illustrations 50 b&w illus. - 50 Illustrations, black and white Illustrations, black & white 209
Categories
Long description:
"
How does social media activism in Nigeria intersect with online popular forms—from GIFs to memes to videos—and become shaped by the repressive postcolonial state that propels resistance to dominant articulations of power?
James Yékú proposes the concept of ""cultural netizenship""—internet citizenship and its aesthetico-cultural dimensions—as a way of being on the social web and articulating counter-hegemonic self-presentations through viral popular images. Yékú explores the cultural politics of protest selfies, Nollywood-derived memes and GIFs, hashtags, and political cartoons as visual texts for postcolonial studies, and he examines how digital subjects in Nigeria, a nation with one of the most vibrant digital spheres in Africa, deconstruct state power through performed popular culture on social media. As a rubric for the new digital genres of popular and visual expressions on social media, cultural netizenship indexes the digital everyday through the affordances of the participatory web.
A fascinating look at the intersection of social media and popular culture performance, Cultural Netizenship reveals the logic of remediation that is central to both the internet's remix culture and the generative materialism of African popular arts.
" More
