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    Creation and Creativity in Medieval Art: Illustrating Genesis

    Creation and Creativity in Medieval Art by Fricke, Beate;

    Illustrating Genesis

      • Publisher's listprice GBP 117.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        59 213 Ft (56 394 Ft + 5% VAT)

    59 213 Ft

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Amsterdam University Press
    • Date of Publication 12 May 2025

    • ISBN 9789048565603
    • Binding Hardback
    • No. of pages302 pages
    • Size 240x170 mm
    • Weight 666 g
    • Language English
    • Illustrations 1 Illustrations, black & white; 96 Illustrations, color
    • 700

    Categories

    Long description:

    Creation imagery in manuscripts made in the Middle Ages became a locus for visual experimentation as well as the expression of ideas about creativity. By examining representations of divine creation and illustrations of the creation stories in Genesis, this book links medieval ideas about creation, the characteristic of the Divine Creator, and the act of creation with themes in medieval thought about the work of medieval artists.
    Case studies from manuscripts illuminating the creation dating from the eleventh to the fourteenth century (Junius 11/The C?dmon Manuscript, Roda Bible & Ripoll Bible, Bible moralisées, Hamburg Bible, Holkhalm Bible) reveal self-reflective moments; where medieval artists relate artistic invention and theological debates about creation. This book traces the artists? thinking in their own work and then contextualizes those visual cues within the context of philosophical arguments about the creation of the world. It also considers how Western medieval artists, in inventing original illuminations and experimenting with new representational modes, suggest potential analogies between their own work, God?s acts of creation, and nature?s generative force.

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    Table of Contents:

    Acknowledgments
    Introduction
    1. Creator and Artist
    2. Creating the Cosmos
    3. Creation and Composition
    Conclusion
    Index
    Illustrations

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