Complicit Participation
The Liberal Audience for Theater of Racial Justice
- Publisher's listprice GBP 81.00
-
38 697 Ft (36 855 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 3 870 Ft off)
- Discounted price 34 828 Ft (33 170 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
38 697 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 7 July 2024
- ISBN 9780197693391
- Binding Hardback
- No. of pages288 pages
- Size 235x156 mm
- Weight 1180 g
- Language English
- Illustrations 25 b&w halftones 576
Categories
Short description:
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals.
MoreLong description:
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. The book addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.
Complicit Participation is heartfelt and revealing of the author's perspective.
Table of Contents:
Part I The Troubling Pleasures of Complicit Participation
Introduction
Blackfaced at The Blacks: Complicit Participation in Jean Genet's Lessons on Race
Part II The Melodramatics of American Racism
Dion Boucicault's The Octoroon and the Loudly Immersed Audiences of Nineteenth-Century Melodramas
Hissing, Bidding, and Lynching at Branden Jacobs-Jenkins's An Octoroon
Part III Dueling on Broadway
Shuffle Along . . . the Campaign Trail
Hamilton ParticiNation in Diversity and Its Discontents
Part IV Act II or Just Another Talkback?
Doing Time in Anna Deavere Smith's Act II
Playing The White Card with Claudia Rankine
Coda
