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  • Colonialist Photography: Imag(in)ing Race and Place

    Colonialist Photography by Hight, Eleanor M.; Sampson, Gary D.;

    Imag(in)ing Race and Place

    Series: Documenting the Image S.; v.9;

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 145.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        73 384 Ft (69 890 Ft + 5% VAT)
      • Discount 20% (cc. 14 677 Ft off)
      • Discounted price 58 708 Ft (55 912 Ft + 5% VAT)

    73 384 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    An absorbing collection of essays and photographs exploring the relationship between photography and Europe and American colonialism, using case studies and recent forms of interpretive analysis. Now published for the first time in paperback.

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    Long description:

    Colonialist Photography is an absorbing collection of essays and photographs exploring the relationship between photography and European and American colonialism. The book is packed with well over a hundred captivating images, ranging from the first experiments with photography as a documentary medium up to the decolonization of many regions after World War II.


    Reinforcing a broad range of Western assumptions and prejudices, Eleanor M. Hight and Gary D. Sampson argue that such images often assisted in the construction of a colonial culture.

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    Table of Contents:

    1 Introduction: Photography, ?race?, and post-colonial theory 2 Laying ghosts to rest 3 Rewriting the Nubian figure in the photograph: Maxime Du Camp?s ?cultural hypochondria? 4 ?A pure labor of love?: A publishing history of The People of India 5 Unmasking the colonial picturesque: Samuel Bourne?s photographs of Barrackpore Park 6 Picturing alterity: Representational strategies in Victorian type photographs of Ottoman men 7 The many lives of Beato?s ?beauties? 8 Colonial collecting: French women and Algerian cartes postales 9 Photography and the emergence of the Pacific cruise: Rethinking the representational crisis in colonial photography 10 Advertising paradise: Hawai?i in art, anthropology, and commercial photography 11 Capturing race: Anthropology and photography in German and Austrian prisoner-of-war camps during World War I 12 Germaine Krull and L?Amitié noire: World War II and French colonialist film 13 ?A better place to live?: Government agency photography and the transformations of the Puerto Rican Jíbaro

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