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  • Close Listening: Poetry and the Performed Word

    Close Listening by Bernstein, Charles;

    Poetry and the Performed Word

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      • Publisher's listprice GBP 187.50
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        89 578 Ft (85 312 Ft + 5% VAT)
      • Discount 10% (cc. 8 958 Ft off)
      • Discounted price 80 620 Ft (76 781 Ft + 5% VAT)

    89 578 Ft

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    printed on demand

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher OUP USA
    • Date of Publication 25 June 1998

    • ISBN 9780195109917
    • Binding Hardback
    • No. of pages400 pages
    • Size 241x160x29 mm
    • Weight 771 g
    • Language English
    • Illustrations 22 line figures
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    Short description:

    Close Listening brings together 17 strikingly original essays, commissioned especially for this volume, on the reading of poetry, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been negligible. This collection opens new avenues for the critical discussion of the sound and performance of poetry, and offers an indispensable critical base for understanding language in and as performance.

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    Long description:

    Close Listening brings together 17 strikingly original essays, commissioned especially for this volume, on the reading of poetry, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been negligible. This collection opens new avenues for the critical discussion of the sound and performance of poetry, and offers an indispensable critical base for understanding language in and as performance.

    an area that is rapidly consolidating as a new field of study.

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