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Product details:
- Publisher Edinburgh University Press
- Date of Publication 29 August 2025
- Number of Volumes Print PDF
- ISBN 9781474446358
- Binding Paperback
- No. of pages224 pages
- Size 234x156 mm
- Weight 318 g
- Language English
- Illustrations 28 black and white illustrations 700
Categories
Short description:
Outlines an innovative agenda for understanding film?s interaction with other art forms.
MoreLong description:
This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film?s relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. With essays by leading researchers and practitioners, this book investigates cinema's productive synergies and crossovers with the other arts through a broad range of avant-garde and experimental work. Mapping a trajectory from pre-cinema to the digital era, the book considers the impact of technological materiality on intermedial expression, incorporating both mainstream and experimental practice, world cinema and peripheral cinemas. Bridging the gap between theory and practice, it opens up new pathways for thinking about how intermediality, as both a creative method and an interpretative paradigm, might be explored alongside probing questions of what cinema is, has been and can be.
MoreTable of Contents:
List of Illustrations
Acknowledgements
Contributors?Introduction - Kim Knowles and Marion SchmidPART 1: MAPPING THE INTERZONE1. 'Film and Performance: Intermedial Intersections’ - Stephen Barber
2. ‘Carving Cameras: Antonioni’s Lo Sguardo di Michelangelo (2004)’ - Steven Jacobs
3. ‘The Photo-Filmic and the Post-Human: Picturesque Landscapes at the Peripheries of Global Cinema’ - Ágnes Pethő
4. ‘Dream Screen:?On Cinema and Painting, Blur and Absorption’ - Martine BeugnetPART 2: THE INTERMEDIAL AVANT-GARDES5. ‘From the Periphery to the Interstices: Avant-Garde Film, Medium Specificity and Intermediality, 1970-2015’ - Christopher Townsend
6. The ‘Artist as Filmmaker’: Modernisms, Schisms, Misunderstandings’ - Lucy Reynolds
7. ‘The Artwork/Statement as Intermedial Nexus: Paul Sharits’s N:O:T:H:I:N:G’ - Barnaby DickerPART 3: TECHNOLOGY, APPARATUS, AFFECT8. ‘Intermediality and the Origins of Cinema’ - Boris Wiseman
9. 'Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame’ - Gabriele Jutz
10. ‘Filming and Feeling between the Arts: Pascale Breton, Suite Armoricaine and Eug?ne Green, Le Fils de Joseph’ - Marion SchmidPART 4: INTERMEDIAL CREATION11. ‘What Does a Dance Filmmaker See?’ - Adam Roberts
12. ‘Performance, Moving Image, Installation: the Making of Body of War and Faith’ - Isabel Rocamora
13. ‘Muybridge's Disobedient Horses: Non-Stop Stop-Motion’ - Anna Vasof
14. ‘A Dialogue With Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror’ - Sarah PucillIndex
