Ceramics and the Museum
- Publisher's listprice GBP 24.99
-
12 647 Ft (12 045 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 2 529 Ft off)
- Discounted price 10 118 Ft (9 636 Ft + 5% VAT)
12 647 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Bloomsbury Visual Arts
- Date of Publication 22 August 2019
- Number of Volumes Paperback
- ISBN 9781350047846
- Binding Paperback
- No. of pages256 pages
- Size 232x156x10 mm
- Weight 444 g
- Language English
- Illustrations 38 b/w illustrations 31
Categories
Long description:
Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970.
Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself.
Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.
Table of Contents:
Introduction
Chapter 1: Showing Ceramics
Chapter 2: Societal Shifters
Chapter 3: Defining Exhibitions
Chapter 4: Ceramic Practice and the Collection
Chapter 5: Space and Place
Chapter 6: Material and Process
Conclusion
Bibliography
Ceramics and the Museum
Subcribe now and receive a favourable price.
Subscribe
12 647 HUF
