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    Buying and Collecting Art and Antiquities in Eighteenth-Century Italy

    Buying and Collecting Art and Antiquities in Eighteenth-Century Italy by Ojeda, David; Diez del Corral Corredoira, Pilar;

    Series: Studies in the History of Collecting & Art Markets; 21;

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    Product details:

    • Edition number 420 pages, 109 full-color illustrations
    • Publisher BRILL
    • Date of Publication 4 June 2026

    • ISBN 9789004718203
    • Binding Hardback
    • No. of pages424 pages
    • Size 235x155 mm
    • Weight 1 g
    • Language English
    • 700

    Categories

    Short description:

    This collective volume examines the rich and evolving art and antiques market in eighteenth-century Italy from various perspectives, ranging from the chrematistic view of the artwork to the demonstration of classical education and a specific social status.

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    Long description:

    This volume reconstructs, through the perspectives of multiple agents, the vibrant atmosphere of eighteenth-century Italy, mainly Rome, from the standpoint of the art and antiques market. Guided by Grand Tour travelers, monarchs who did not visit the Bel Paese but sought a piece of it, agents striving to carve a niche in the competitive art market, and artists eager to “create” all’antica works to make a name for themselves, the reader will encounter a variety of case studies that will offer a deeper understanding of the dynamism of the Italian art market.

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    Table of Contents:

    Acknowledgements

    List of Figures

    Notes on Contributors



    Introduction: Roma capta

    Pilar Diez del Corral Corredoira and David Ojeda



    PART 1 Artists, Agents and Markets



    1 Stone Cold: Scrambling for Statu(e)s in Eighteenth-Century Rome

    Jeffrey Collins



    2 Cavaceppi – Sculptor, Restorer, Dealer, Publisher and Forger

    Sascha Kansteiner



    3 Between Rule and Practice

     The Dynamics of the Antiquities Market of the Kingdom of Naples in the Second Half of the 18th Century, and Two Episodes concerning Ferdinando Galiani and William Hamilton

    Paola D’Alconzo



    4 Troiano Acquaviva and the Roman Art Market: an Agent in the Service of the Kings of Spain and Naples (1735–1747)

    Mercedes Simal



    5 Isabel de Farnesio, Filippo Juvarra, and the Modern Interior

    Tara Zanardi



    6 The State Hermitage Museum

     Russian Buyers of Antique and Modern Gems in the Roman Art Market in the Second Half of the 18th Century

    Elena Dmitrieva



    Part 2 Grand Tourists, Collectors and Collections



    7 Alessandro Albani and European Practices of Collecting and Display in the Era of the Grand Tour

    Tracy Ehrlich



    8 Gems Never Seen Before: William Hamilton, Vesuvius and the Rising Taste for Rare Stones in Europe around 1770

    Domenico Pino



    9 The 6th Count of Fernán Núñez’s Grand Tour of Italy: an Example of Courtly Culture in Enlightenment Europe

    José A. Vigara



    10 Between a Souvenir and Archeological Documentation: the Cork Model of the Paestum Temple in Chancellor Metternich’s Collection

    Eliška Petřeková



    11 Bringing Rome Home: Gifts and Souvenirs Acquired by Crown Prince Friedrich Christian of Saxony during His Sojourn in the Eternal City (1738–39)

    Maureen Cassidy-Geiger



    12 Grand Tour Pickings – Antiquities for Georgian Gothic Houses

    Daniela Roberts



    13 Commemorating Italy?: the Walpole and Brand Cabinets as Grand Tour Souvenirs of Elsewhere

    Alexis Culotta



    14 Ancient and Modern: the Collecting Habit of John Campbell, First Baron Cawdor (1755–1821)

    John Davies



    15 The Russian Grand Tour: Sculptures Purchased by the Count and Countess of the North in Rome in 1782

    Alexander V. Kruglov



    16 Private Pleasures, Public Propaganda, and the Power of the Past

     The Resurrection of the Swedish Royal Antiquities Collection under Gustav III

    Theresa A. Kutasz Christensen



    Index

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