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  • Bowed Strings in 20th-Century Jazz in the United States: It Don’t Mean a Thing if It Ain’t Got Those Strings:

    Bowed Strings in 20th-Century Jazz in the United States by Lawson, Sonya R.;

    It Don’t Mean a Thing if It Ain’t Got Those Strings:

      • GET 10% OFF

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      • Publisher's listprice GBP 145.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 273 Ft (65 975 Ft + 5% VAT)
      • Discount 10% (cc. 6 927 Ft off)
      • Discounted price 62 346 Ft (59 378 Ft + 5% VAT)

    69 273 Ft

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    Not yet published.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 2 April 2026

    • ISBN 9781032804293
    • Binding Hardback
    • No. of pages156 pages
    • Size 234x156 mm
    • Language English
    • 700

    Categories

    Short description:

    Bowed Strings in 20th-Century Jazz in the United States serves as a historical examination of the roles of bowed strings (violin, viola, and cello) in jazz.

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    Long description:


    Bowed Strings in 20th-Century Jazz in the United States serves as a historical examination of the roles of bowed strings (violin, viola, and cello) in jazz. The subject of bowed strings in jazz has garnered considerable interest, evident in the swell of pedagogical materials published in the last decade, the proliferation of college programs incorporating alternative styles for strings, the increasing number of jazz groups featuring improvising string players, and the abundance of articles, both biographical and historical, on bowed strings in jazz.


    Sequentially, this book discusses the roles of violin, viola, cello, string quartets, and miscellaneous groupings of strings in various contexts. The discussion progresses from specific instruments and players to chamber groups and then ensembles of a variety of sizes.


    This book will appeal to scholars and students alike interested in the musical study of jazz in the United States.

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    Table of Contents:

    Introduction 


    Chapter 1         Smith faces South and an Anything-but-Average Joe: Violins in Jazz, 1900-1950


    Chapter 2         Saxes and Violins: Violins in Jazz, 1950-2000


    Chapter 3         This Ain’t No Viola Joke


    Chapter 4         Jazz Cellobration


    Chapter 5         Alone Together: Stand-Alone Jazz String Quartets


    Chapter 6         String Theory, or, Creative Chaos: Eclectic Groups Including Bowed Strings


    Bibliography


    Selected Discography

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