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  • Bootsy Holler: MAKiNG iT.: An Intimate Documentary of the Seattle Indie, Rock & Punk Scene, 1992-2008

    Bootsy Holler: MAKiNG iT. by Jasper, Megan ; Peterson, Charles;

    An Intimate Documentary of the Seattle Indie, Rock & Punk Scene, 1992-2008

      • GET 15% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 50.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        23 887 Ft (22 750 Ft + 5% VAT)
      • Discount 15% (cc. 3 583 Ft off)
      • Discounted price 20 304 Ft (19 338 Ft + 5% VAT)

    23 887 Ft

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    Availability

    Not yet published.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Thames & Hudson
    • Date of Publication 1 October 2025

    • ISBN 9788862088435
    • Binding Hardback
    • No. of pages208 pages
    • Language English
    • Illustrations 130 illustrations, 64 in colour
    • 700

    Categories

    Long description:

    As an avid fan of Seattles music scene during the late 1990s and early 2000s, photographer Bootsy Holler created a remarkable portfolio documenting the littleknown bands who later defined a decade in music history. She captured live gigs, band portraits, backstage moments, rapt audiences and more, chronicling the formative years of artists such as Death Cab for Cutie, Fleet Foxes, Interpol, Modest Mouse, Gossip, Beck, Moby, the Yeah Yeah Yeahs and Foo Fighters. Says Holler: I was documenting my life. The musicians, promoters and bouncers were my friends, and I went to see bands I enjoyed and places I could get in for free. I didnt know I was in the middle of something new.

    With open spine binding and cold glue bright orange thread, this collection of Hollers energetic, raw images, together with her own personal recollections, reflects on the second generation of Seattles music scene, as the world transitioned from celluloid to digital, grunge to indie. It is a pilgrimage back in time, a nostalgic trip for anyone who cherishes music or yearns for a time when nobody texted or had a camera in their pocket.

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